A work in constant progress (and occasional regress).
Director:
2015 Rockin' Down The Curtain: The 60ies. Beginning
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Director of Photography:
2015 Rockin' Down The Curtain: The 60ies. Beginning
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Editor:
2006 Father, Family and the Threshing Machine
2006 Savas zemes bērni
2009 The Only Picture
2011 Threesome Dance
2015 Rockin' Down The Curtain: The 60ies. Beginning
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2023 Es esmu runājusi. Elvīra Baldiņa
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Executive Producer:
2006 Father, Family and the Threshing Machine
2006 Savas zemes bērni
2009 The Only Picture
2011 Threesome Dance
2015 Rockin' Down The Curtain: The 60ies. Beginning
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2023 Es esmu runājusi. Elvīra Baldiņa
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Line Producer:
2006 Father, Family and the Threshing Machine
2006 Savas zemes bērni
2009 The Only Picture
2011 Threesome Dance
2015 Rockin' Down The Curtain: The 60ies. Beginning
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2020 What Silent Gerda Knows
2023 Es esmu runājusi. Elvīra Baldiņa
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Producer:
2001 Brīvība tiešajā ēterā
2006 Father, Family and the Threshing Machine
2006 Savas zemes bērni
2009 The Only Picture
2011 Threesome Dance
2015 Rockin' Down The Curtain: The 60ies. Beginning
2016 The Smell Of Cinema
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2020 What Silent Gerda Knows
2023 Es esmu runājusi. Elvīra Baldiņa
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Production Manager:
2001 Brīvība tiešajā ēterā
2005 Fallen
2006 Father, Family and the Threshing Machine
2006 Savas zemes bērni
2009 The Only Picture
2011 Threesome Dance
2015 Rockin' Down The Curtain: The 60ies. Beginning
2016 The Smell Of Cinema
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2020 What Silent Gerda Knows
2023 Es esmu runājusi. Elvīra Baldiņa
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Sound Director:
2001 Brīvība tiešajā ēterā
2005 Fallen
2006 Father, Family and the Threshing Machine
2006 Savas zemes bērni
2009 The Only Picture
2011 Threesome Dance
2015 Rockin' Down The Curtain: The 60ies. Beginning
2016 The Smell Of Cinema
2017 Rockin’ Down The Curtain: The 70ies. Glitter And Gloom
2018 History Behind The Screen. 35 mm
2020 What Silent Gerda Knows
2023 Es esmu runājusi. Elvīra Baldiņa
2023 Savējie sapratīs: Astoņdesmitie. Jauna ēra. Spīts
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.