A work in constant progress (and occasional regress).
Birthplace:
Rio de Janeiro
Born:
January 8, 1974
stage name of Adriana Soares, is a Brazilian dancer, model, television host, and actress. In her early days, Adriana Bombom lived in an orphanage and worked as a nanny and as a saleslady.[1] In 1996, she was invited to work for the TV show Xuxa Park where she participated in the sketch comedy "Academia de ginástica da Xuxa".[2] She then worked as a dancer in the show Planeta Xuxa,[3] where, according to at least one author, she played "a secondary, but very visible role" so Xuxa could avoid the accusations that her show did not hire black artists.[4] While working there, she released a single with two songs that she used to sing during the intervals of the show. The songs were Dança da Bombom (Bombom's Dance) and Bom Apetite (Enjoy Your Meal). She participated in the TV shows A Turma do Didi, Zorra Total, and Sob Nova Direção, all of them aired by the television network Rede Globo. In Rede Bandeirantes, Adriana Bombom made reports for TV shows such as Leonor Corrêa and Leão Lobo. In 2006 she began to host the variety show Bom Demais, aired by Rede Record of Rio de Janeiro. She also played a role in four feature films, among them Xuxa Requebra, in 1999, and Xuxa Popstar, in 2000;[1] and was the protagonist of two short subjects, among them A incrível história da mulher que mudou de cor, in 2004.[5] In September 2004, she appeared on the cover of the Brazilian adult magazine Sexy, being one of the few black women to do so.[6] In 2009, Adriana participated in the second edition of the reality show of Rede Record, A Fazenda 2, but was eliminated in the third week.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.