A work in constant progress (and occasional regress).
Alias:
Dorothy Cheung Tsz-yan
張紫茵
Birthplace:
Hong Kong
Born:
January 1, 1987
Dorothy Cheung (b. 1987) is a filmmaker and artist from Hong Kong. Her practice explores the notion of identities and home through a double perspective - personal and political, memory and forgetfulness. Her moving-image works are internationally exhibited in Whitney Museum of American Art, Kunstinstituut Melly (formerly known as Witte de With Center for Contemporary Art) and EYE Filmmuseum, and selected for film festivals including International Film Festival Rotterdam, Leeds International Film Festival, Seoul Women’s Film Festival, South Taiwan Film Festival and Queer Lisboa. She has also received commission from M+ (Hong Kong), British Council (Hong Kong/UK), Jumping Frames Hong Kong International Movement-image Festival (Hong Kong) and Visual AIDS (US).
Cinematography:
2020 Home and a Distant Archive
Director:
2018 Letter to the Outsider
2019 A Room of Oblivion
2020 Home and a Distant Archive
2023 Heart Murmurs
2024 Dreaming in Another Language
Editor:
2018 Letter to the Outsider
2019 A Room of Oblivion
2020 Home and a Distant Archive
2023 Heart Murmurs
2024 Dreaming in Another Language
Producer:
2018 Letter to the Outsider
2019 A Room of Oblivion
2020 Home and a Distant Archive
2023 Heart Murmurs
2024 Dreaming in Another Language
Writer:
2016 Pseudo Secular
2018 Letter to the Outsider
2019 A Room of Oblivion
2020 Home and a Distant Archive
2023 Heart Murmurs
2024 Dreaming in Another Language
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.