Inés Duacastella

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Camera Operator:
2018  Las Vegas
2021  Concert for the Battle of El Tala
2022  Long Time No Sleep
2023  The Delinquents

Cinematography:
2018  Las Vegas
2018  This Is Not a Coup
2019  Un día de caza
2021  Concert for the Battle of El Tala
2022  Long Time No Sleep
2023  The Delinquents

Color Grading:
2018  Las Vegas
2018  This Is Not a Coup
2019  Un día de caza
2021  Concert for the Battle of El Tala
2022  Long Time No Sleep
2023  The Delinquents
2023  Trenque Lauquen
2024  Alicia todo el tiempo

Colorist:
2018  Las Vegas
2018  This Is Not a Coup
2019  Un día de caza
2021  Concert for the Battle of El Tala
2022  Clementina
2022  Long Time No Sleep
2023  The Delinquents
2023  Trenque Lauquen
2024  Alicia todo el tiempo
2024  Kunst der Farbe

Director of Photography:
2013  Tomorrow All the Things
2017  The Little Match Girl
2018  La omisión
2018  Las Vegas
2018  The Daughters of Fire
2018  This Is Not a Coup
2019  Diario de el loro y el cisne
2019  Familia
2019  For the Money
2019  The Poets Visit Juana Bignozzi
2019  Un día de caza
2021  Channel 54
2021  Concert for the Battle of El Tala
2021  Primaveras atrás
2021  That Weekend
2021  We Will Never Die
2022  Barrio modelo
2022  Clementina
2022  Long Time No Sleep
2022  The Face of the Jellyfish
2023  The Delinquents
2023  Trenque Lauquen
2023  Trenque Lauquen
2023  Un Andantino
2024  Alicia todo el tiempo
2024  Kunst der Farbe
2024  The Introduction

Post Producer:
2013  Tomorrow All the Things
2017  The Little Match Girl
2018  La omisión
2018  Las Vegas
2018  The Daughters of Fire
2018  This Is Not a Coup
2019  Diario de el loro y el cisne
2019  Familia
2019  For the Money
2019  The Poets Visit Juana Bignozzi
2019  Un día de caza
2021  Channel 54
2021  Concert for the Battle of El Tala
2021  Primaveras atrás
2021  That Weekend
2021  We Will Never Die
2022  Barrio modelo
2022  Clementina
2022  Long Time No Sleep
2022  The Face of the Jellyfish
2022  The Middle Ages
2023  The Delinquents
2023  Trenque Lauquen
2023  Trenque Lauquen
2023  Un Andantino
2024  Alicia todo el tiempo
2024  Kunst der Farbe
2024  The Introduction

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.