Lloyd Shirley

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Executive Producer:
1970  Poor Mother
1970  The Company Man
1970  The End of the Line
1970  The Others
1970  The Prime Minister's Daughter
1970  The Second Interview
1970  The World in a Room
1970  Up Among the Cuckoos
1970  Young Man in Trouble
1971  Father's Help
1971  Girl on the M1
1971  Ireland, Mother Ireland
1971  Man Charged
1971  The Bargain Hunters
1971  The Loving Lesson
1972  A Fluid Arrangement
1972  A Touch of the Victorians
1972  Anywhere but England
1972  Franklin's Farm
1972  On Call
1972  The Breaking of Colonel Keyser
1972  The Creditors
1972  The Stumbling Block
1972  Whatever Became of Me?
1974  If You Could See What I Can See
1974  Regan
1974  The Virgins
1985  A Better Class of Person

Producer:
1970  Poor Mother
1970  The Company Man
1970  The Dolly Scene
1970  The End of the Line
1970  The Others
1970  The Prime Minister's Daughter
1970  The Second Interview
1970  The World in a Room
1970  Up Among the Cuckoos
1970  Warm Feet, Warm Heart
1970  Young Man in Trouble
1971  Competition
1971  Father's Help
1971  Girl on the M1
1971  Ireland, Mother Ireland
1971  Man Charged
1971  The Bargain Hunters
1971  The Loving Lesson
1972  A Fluid Arrangement
1972  A Touch of the Victorians
1972  Anywhere but England
1972  Franklin's Farm
1972  On Call
1972  The Breaking of Colonel Keyser
1972  The Creditors
1972  The Stumbling Block
1972  Whatever Became of Me?
1974  If You Could See What I Can See
1974  Regan
1974  The Virgins
1975  In Sickness and in Health
1975  When Day Is Done
1985  A Better Class of Person

Executive Producer:
1988  Jack the Ripper

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.