Giuseppe Muratori

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Boom Operator:
1963  Hands over the City
1970  Investigation of a Citizen Above Suspicion
1971  Death in Venice
1971  Secret Fantasy
1973  Ludwig
1974  Rabid Dogs
1974  Swept Away
1975  Seven Beauties
1976  Illustrious Corpses
1977  Sahara Cross
1977  The Cat
1978  Blood Feud
1979  Christ Stopped at Eboli
1979  Good News
1979  Tesoromio
1980  Arrivano i gatti
1981  The Soup
1981  Three Brothers
1983  A Joke of Destiny, Lying in Wait Around the Corner Like a Bandit
1983  Hearts and Armour
1985  Mai con le donne
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1987  The Caller
1989  On a Moonlit Night

Sound:
1963  Hands over the City
1970  Investigation of a Citizen Above Suspicion
1971  Death in Venice
1971  Secret Fantasy
1973  Ludwig
1974  Rabid Dogs
1974  Swept Away
1975  Seven Beauties
1976  Illustrious Corpses
1977  Sahara Cross
1977  The Cat
1978  Blood Feud
1979  Christ Stopped at Eboli
1979  Good News
1979  Tesoromio
1980  Arrivano i gatti
1981  The Soup
1981  Three Brothers
1983  A Joke of Destiny, Lying in Wait Around the Corner Like a Bandit
1983  Hearts and Armour
1985  Mai con le donne
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1987  The Caller
1989  On a Moonlit Night
1993  Diary of a Maniac
1998  Ladri si diventa

Sound Recordist:
1959  Hercules Unchained
1963  Hands over the City
1970  Investigation of a Citizen Above Suspicion
1971  Death in Venice
1971  Return of Sabata
1971  Secret Fantasy
1973  Ludwig
1974  Rabid Dogs
1974  Swept Away
1975  Seven Beauties
1976  Illustrious Corpses
1977  Sahara Cross
1977  The Cat
1978  Blood Feud
1979  Christ Stopped at Eboli
1979  Good News
1979  Tesoromio
1980  Arrivano i gatti
1981  The Soup
1981  Three Brothers
1983  A Joke of Destiny, Lying in Wait Around the Corner Like a Bandit
1983  Hearts and Armour
1985  Mai con le donne
1986  Summer Night with Greek Profile, Almond Eyes and Scent of Basil
1987  The Caller
1989  On a Moonlit Night
1993  Diary of a Maniac
1998  Ladri si diventa

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.