Jeffrey Hartmann

A work in constant progress (and occasional regress).

C. Courtney Joyner

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Additional information:

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Film Performances

???? Celluloid Wizards in the Video Wasteland: The Saga of Empire Pictures
Himself
1978 Dawn of the Dead
Zombie Wearing Eyeglasses
1986 Murphy's Law
Bar Patron
1991 Shock Cinema: Volume One
Himself
1993 The Flesh Merchant
Chick
1998 Deadly Tales
3rd DiCaprio Hitman
1998 Iron Thunder
Mark
2001 The Duke at Fox
Self
2002 Scream Queen
Detective Hammer
2005 Decadent Evil
Club Patron
2006 Charlie Chan at the Movies
Self
2008 The Boneyard Collection
Lab Tech #2 (segment "Cry of the Mummy")
2012 Auteur on the Campus: Jack Arnold at Universal!
Self
2013 The 9th Wonder of the World: The Making of 'Gorgo'
Self
2014 Out of Print
Self
2014 The True Adventures of Raoul Walsh
Self
2016 The Wandering Man’s Burden: Making The Loner
Self
2017 Shotguns and Six Strings: Making a Rock N Roll Fable
Himself
2018 Malevolent: Unearthing John Carpenter's Prince of Darkness
Self
2019 Of Mushrooms And Madmen: The Making Of The Mole People
Himself
2019 Direct to Video: Straight to Video Horror of the 90s
Himself
2019 Mark of The Beast: The Legacy of the Universal Werewolf
Self
2019 American Frontiers: Anthony Mann at Universal
Self
2020 This Is the Inner Sanctum: Making a Universal Mystery Series
Himself

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Film Production

Associate Producer:
2019 Mark of The Beast: The Legacy of the Universal Werewolf

Co-Producer:
2019 Mark of The Beast: The Legacy of the Universal Werewolf
2020 Total Excess: How Carolco Changed Hollywood

Director:
1992  Trancers 3: Deth Lives
1994  Lurking Fear
2004  Tomb of Terror
2018  Psycho Sideshow: Demon Freaks
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  Zombie Lust: Night Flesh
2020  Total Excess: How Carolco Changed Hollywood

Screenplay:
1987  Prison
1990  Class of 1999
1990  Vietnam Texas
1992  Doctor Mordrid
1992  Trancers 3: Deth Lives
1993  Distant Cousins
1994  Lurking Fear
1996  Public Enemies
2003  Betrayal
2003  Stealing Candy
2004  Tomb of Terror
2018  Psycho Sideshow: Demon Freaks
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  Zombie Lust: Night Flesh
2020  Total Excess: How Carolco Changed Hollywood

Story:
1987  Prison
1990  Class of 1999
1990  Vietnam Texas
1992  Doctor Mordrid
1992  Trancers 3: Deth Lives
1993  Distant Cousins
1994  Lurking Fear
1996  Public Enemies
2003  Betrayal
2003  Stealing Candy
2004  Tomb of Terror
2018  Psycho Sideshow: Demon Freaks
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  Zombie Lust: Night Flesh
2020  Total Excess: How Carolco Changed Hollywood

Thanks:
1987  Prison
1990  Class of 1999
1990  Vietnam Texas
1992  Doctor Mordrid
1992  Trancers 3: Deth Lives
1993  Distant Cousins
1994  Lurking Fear
1996  Public Enemies
2003  Betrayal
2003  Stealing Candy
2004  Tomb of Terror
2007  Gimme Skelter
2018  Psycho Sideshow: Demon Freaks
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  Zombie Lust: Night Flesh
2020  Total Excess: How Carolco Changed Hollywood

Writer:
1987  From a Whisper to a Scream
1987  Prison
1990  Class of 1999
1990  Vietnam Texas
1992  Doctor Mordrid
1992  Puppet Master III
1992  Trancers 3: Deth Lives
1993  Distant Cousins
1994  Lurking Fear
1996  Public Enemies
1999  Veronica 2030
2000  Nautilus
2000  The Base 2: Guilty as Charged
2001  Devil's Prey
2001  Instinct to Kill
2002  Trancers 6: Life After Deth
2003  Betrayal
2003  Mega Scorpions
2003  Puppet Master: The Legacy
2003  Stealing Candy
2003  White Rush
2004  Puppet Master vs Demonic Toys
2004  Slammed
2004  Tomb of Terror
2007  Gimme Skelter
2018  Psycho Sideshow: Demon Freaks
2019  Mark of The Beast: The Legacy of the Universal Werewolf
2019  Zombie Lust: Night Flesh
2020  The Grim Rapper
2020  Total Excess: How Carolco Changed Hollywood
2024  Lost in Time: Unearthing the Primevals
????  Puppet Master: Furnace Leech Woman
????  Quadrant

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.