Ro Haber

Birthplace:
Portland, Maine, USA

Ro Haber (they/them) is a writer and director whose work spans across the Narrative, Documentary, and VR spaces. They are a graduate of NYU Tisch School of the Arts and have been a fellow in Film Independent/Netflix Episodic Lab, Outfest’s Screenwriting lab, AFI’s Directing Workshop for Women, Universal’s inaugural Directing Program, and the 2018 Sundance Momentum Fellowship. They were listed on The Alice Initiative’s 2018 list of directors ready to helm studio films and most recently was a 2018 Ryan Murphy TV HALF Program fellow, shadowing on FX’s new series, Pose. Their films have played at Tribeca, AFI Fest, LA Film Festival, New Orleans Film Festival, Palm Springs Shortfest, Outfest, and numerous others.

Additional information:

The Search Form


Co-Producer:
2017  New Deep South: House of JXN

Director:
2014  Jellyfish
2015  Relapse
2017  Ink
2017  New Deep South: House of JXN
2018  Braddock, PA
2019  Stonewall Forever

Producer:
2014  Jellyfish
2015  Relapse
2017  Ink
2017  New Deep South: House of JXN
2018  Braddock, PA
2019  Stonewall Forever
????  Stone Butch Blues

Screenplay:
2014  Jellyfish
2015  Relapse
2017  Ink
2017  New Deep South: House of JXN
2018  Braddock, PA
2019  Stonewall Forever
????  Stone Butch Blues

Writer:
2014  Jellyfish
2015  Relapse
2017  Ink
2017  New Deep South: House of JXN
2018  Braddock, PA
2019  Stonewall Forever
????  Stone Butch Blues

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.