A work in constant progress (and occasional regress).
Director:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
2017 140 Characters
2024 In C, Too
Editor:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
2017 140 Characters
2024 In C, Too
Music:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
2017 140 Characters
2024 In C, Too
Post-Production Manager:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Perfect Lives
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
2017 140 Characters
2024 In C, Too
Producer:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Perfect Lives
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
1991 Frames for Seconds
2017 140 Characters
2024 In C, Too
Visual Effects Editor:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Perfect Lives
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
1991 Frames for Seconds
2017 140 Characters
2024 In C, Too
Writer:
1976 Modulated Horizontal Lines
1979 Chirp-1 Quantel
1980 Aquarelles
1981 Tempest
1981 Voyage
1983 ACT III
1984 Perfect Lives
1984 Renaissance
1986 Luminare
1989 Continuum: 1. Initiation
1989 Continuum: Parts 1 & 2
1990 Infinite Escher
1991 Frames for Seconds
2017 140 Characters
2024 In C, Too
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.