Susan Douglas

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Birthplace:
England, UK

About: Susan Douglas is a director, producer, and writer for her independent production company, Double D Productions. She has extensive experience in the film industry in The United Kingdom, as well as The United States of America, Africa, and Korea. Susan is well known for her philanthropic work in addition to her investigative journalism and documentary works. Other Involvement:  American Women’s Association of Kenya’s Fashion Extravaganza  Jose Carreras’ concert in Hong Kong for the children in North Korea  Known For:  2016 What About ME? (Documentary) (producer) 2012 St George's Day (co-producer) 2009 The Gooner Review (Documentary) (producer) 2009 Who Killed Nancy? (Documentary) (executive producer) 2008/I Gone Fishing (Short) (associate producer) 2008 Professional Woman of the Year (Short) (associate producer) Hide HideWriter (2 credits) 2016 What About ME? (Documentary) (co-writer) 2008 The Monument (Short) (screenplay) Hide HideDirector (2 credits) 2016 What About ME? (Documentary) 2008 The Monument (Short)

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Director:
2016  What About ME?

Executive Producer:
2009  Who Killed Nancy?
2016  What About ME?

Producer:
2009  Who Killed Nancy?
2016  What About ME?

Writer:
2009  Who Killed Nancy?
2016  What About ME?

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.