Chelo Alvarez-Stehle

Gallery Unavailable

Alias:
Chelo Alvarez

Birthplace:
Logroño, La Rioja, Spain

As a reporter, documentary filmmaker and advocate, Chelo has worked for close to two decades exposing stories of sexual exploitation and trafficking. Born in Spain, she worked in Japan in documentaries for NHK Enterprises and became Tokyo’s and then Los Angeles’ correspondent for Spain’s El Mundo daily. In 1995, she moved to California and in 2002, Canal+ Spain turned her first reportage on child trafficking in the Himalayas into the documentary film Tin Girls. Chelo produced/directed several short documentaries, among them, Sold in America: A Modern-Day Tale of Sex Slavery, and, most recently, she coproduced Through The Wall, a short documentary about a family divided by the US/Mexico border, screened at DOC NYC, won the 2106 Imagen Awards. Her first feature-length documentary Sands of Silence: Waves of Courage, has won multiple awards, such as First Prize and Biznaga de Plata Asserting Women's Rights at the Malaga Film Festival, the Southern California Best Documentary Feature award by the L.A. Press Club, TheWIFTS Best Documentary Humanitarian Award, several Best Documentary and Audience awards from Malibu and Los Angeles to Guayaquil and Rio de Janeiro; was nominated as Best Documentary Feature to the Imagen Awards (the Latino "Golden Globes) and received the "Fada" (fairy) Cultural Award, second prize in Barcelona. Chelo is currently producing/directing “SOS_SLAVES,” a social impact video game and “SOS Interactive,” a micro-documentary series on sexual exploitation and trafficking.

Additional information:

The Search Form


Director:
2009  Sold in America
2016  Sands of Silence

Producer:
2009  Sold in America
2016  Sands of Silence
2020  From Here

Writer:
2009  Sold in America
2016  Sands of Silence
2020  From Here

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.