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Licio Marcos de Oliveira (b. 1958)

Gallery Unavailable

Birthplace:
Viçosa, Minas Gerais, Brazil

Born:
December 16, 1958

Additional information:

The Search Form


Film Production

Sound:
1987  Una nit a Casa Blanca
1994  Barcelona
1995  The Nutty Boy
1998  A Hora Mágica
2004  P.H.N.
2006  A Real Friend
2013  O Concurso
2016  It's Going to Work 2

Sound Designer:
1987  Una nit a Casa Blanca
1994  Barcelona
1995  The Nutty Boy
1998  A Hora Mágica
2004  P.H.N.
2006  A Real Friend
2007  Fermat's Room
2013  O Concurso
2016  It's Going to Work 2

Sound Director:
1987  Una nit a Casa Blanca
1988  Sinatra
1990  Warsaw Bridge
1994  Barcelona
1995  The Nutty Boy
1998  A Hora Mágica
2004  P.H.N.
2006  A Real Friend
2007  Fermat's Room
2013  O Concurso
2016  It's Going to Work 2

Sound Mixer:
1984  Noites do Sertão
1985  Um Filme 100% Brasileiro
1986  In a Glass Cage
1987  Laura, del cielo llega la noche
1987  Una nit a Casa Blanca
1988  Sinatra
1989  Esmeralda Bay
1990  Warsaw Bridge
1994  Barcelona
1995  The Nutty Boy
1998  A Hora Mágica
2003  Viva Sapato!
2004  P.H.N.
2006  A Real Friend
2006  The Cheetah Girls 2
2007  Fermat's Room
2010  A Guerra dos Vizinhos
2013  O Concurso
2016  It's Going to Work 2
2017  Fala Sério, Mãe!
2019  One Hundred and One

Sound Recordist:
1984  Noites do Sertão
1985  Um Filme 100% Brasileiro
1986  In a Glass Cage
1987  Laura, del cielo llega la noche
1987  Una nit a Casa Blanca
1988  Sinatra
1989  Esmeralda Bay
1990  The Black Moon
1990  Warsaw Bridge
1994  Barcelona
1995  The Nutty Boy
1997  Noise of Love and War
1998  A Hora Mágica
2003  Viva Sapato!
2004  P.H.N.
2006  A Real Friend
2006  The Cheetah Girls 2
2007  Fermat's Room
2010  A Guerra dos Vizinhos
2013  O Concurso
2016  It's Going to Work 2
2017  Fala Sério, Mãe!
2019  One Hundred and One

Click the heading above to show or hide the list.

TV Production

Sound Mixer:
2013  Letter to Eva

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.