A work in constant progress (and occasional regress).
Birthplace:
Málaga, Spain
Born:
January 9, 1988
Stefano Miraglia (Málaga, 1988) is an Italian-Spanish artist, curator and writer based in Paris. His activities focus on artists’ film and video. His work has been presented internationally in exhibition spaces such as the Taiwan Contemporary Culture Lab (Taipei), Fabrica research center (Treviso), Centrum (Berlin), and in numerous film institutions and festivals such as CINEMATEK - Cinémathèque royale de Belgique, Beijing International Short Film Festival, Prismatic Ground, ICDOCS, Vienna Shorts and Festival des Cinémas Différents et Expérimentaux de Paris - where his film Anoche received an award in 2017. He has curated several exhibitions, the most recent being a solo exhibition of Spanish artist Carlos Casas. Since 2018 he has curated and presented several programs of experimental and artists’ films. Stefano is the founder of Movimcat, an online project for the dissemination of artist’s cinema. Since 2019 he has been working on the rediscovery and reappraisal of the work of writer and filmmaker Ellis Donda (1947-2023). He is a member of the selection committee for the Pesaro Film Festival in Italy, and was a member of the committee for the international competition of the Festival des Cinémas Différents et Expérimentaux de Paris from 2020 to 2022. Stefano Miraglia is a member of the French association of art curators C|E|A. He studied at Roma Tre University and the École Normale Supérieure de Lyon. He is a lecturer at Université Paris 1 Panthéon-Sorbonne.
Cinematography:
2020 Thick Air
Director:
2013 memoria e imaginación
2014 DIVISOR / VILLEURBANNE
2014 Katokino
2015 Self-portrait
2016 Claire
2016 Eighteen fragments from Malcolm Le Grice’s After Leonardo
2016 Untitled / Aubrac
2017 Anoche
2017 Ramusiana
2017 Rodez
2020 Perenne
2020 Thick Air
2021 2021-1985
2021 Collage
2021 J'écoute l'univers
2022 I'll See You Again
2024 Double Around the Interlude
Editor:
2013 memoria e imaginación
2014 DIVISOR / VILLEURBANNE
2014 Katokino
2015 Self-portrait
2016 Claire
2016 Eighteen fragments from Malcolm Le Grice’s After Leonardo
2016 Untitled / Aubrac
2017 Anoche
2017 Ramusiana
2017 Rodez
2020 Perenne
2020 Thick Air
2021 2021-1985
2021 Collage
2021 J'écoute l'univers
2021 Screen Glare
2022 I'll See You Again
2023 Grotta
2024 Double Around the Interlude
Music:
2013 memoria e imaginación
2014 Brutalism
2014 DIVISOR / VILLEURBANNE
2014 Katokino
2015 Self-portrait
2016 Claire
2016 Eighteen fragments from Malcolm Le Grice’s After Leonardo
2016 Untitled / Aubrac
2017 Anoche
2017 Ramusiana
2017 Rodez
2020 Perenne
2020 Thick Air
2021 2021-1985
2021 Collage
2021 J'écoute l'univers
2021 Screen Glare
2022 I'll See You Again
2023 Grotta
2024 Double Around the Interlude
Writer:
2013 memoria e imaginación
2014 Brutalism
2014 DIVISOR / VILLEURBANNE
2014 Katokino
2015 Self-portrait
2016 Claire
2016 Eighteen fragments from Malcolm Le Grice’s After Leonardo
2016 Untitled / Aubrac
2017 Anoche
2017 Ramusiana
2017 Rodez
2020 Perenne
2020 Thick Air
2021 2021-1985
2021 Collage
2021 J'écoute l'univers
2021 Screen Glare
2022 I'll See You Again
2023 Grotta
2024 Double Around the Interlude
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.