Rudy Valdez

Rudy Valdez is an Emmy Award-winning Michigan-raised, New York City-based filmmaker committed to creating social, cultural, and political stories through a cinematic and meaningful lens. The Sentence (HBO), shot and directed by Valdez over the course of a decade, tells the very personal story of his sister’s plight in the criminal justice system while tackling subjects like mandatory minimums and sentencing reform. The Sentence won Valdez the 2019 Primetime Emmy Award for Exceptional Merit in Documentary Filmmaking and the US Documentary Audience Award at the 2018 Sundance Film Festival. Valdez’s most recent project, ReOpening Night, is a feature film about The Public Theater’s staging of a beloved New York City institution, Shakespeare in the Park. It premiered on HBO Max in December.

Additional information:

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Cinematography:
2021  Reopening Night

Director:
2018  The Sentence
2020  Make Him Known
2021  Breakaway
2021  Reopening Night
2023  Carlos
2023  Translators

Director of Photography:
2015  Buried Above Ground
2018  The Sentence
2020  Make Him Known
2021  Breakaway
2021  Reopening Night
2023  Carlos
2023  Translators

Producer:
2015  Buried Above Ground
2018  The Sentence
2020  Make Him Known
2021  Breakaway
2021  Reopening Night
2023  Carlos
2023  Translators

Cinematography:
2021  We Are: The Brooklyn Saints

Director:
2009  30 for 30
2021  Through Our Eyes
2021  We Are: The Brooklyn Saints
2024  Choir

Director of Photography:
2009  30 for 30
2021  Through Our Eyes
2021  We Are: The Brooklyn Saints
2024  Choir

Executive Producer:
2009  30 for 30
2021  Through Our Eyes
2021  We Are: The Brooklyn Saints
2024  Choir

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.