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Mara Adina (b. 1985)

Alias:
Mara Adina Calugareanu

Birthplace:
Cluj-Napoca, Cluj, Romania

Born:
June 25, 1985

Biography from TheMovieDB

Mara Adina is a creative producer and co-founder of Vernon Films where her primary focus is to push the boundaries of hybrid filmmaking and collaborate with creative voices who seek to devise new ways of arriving at story. She produced "Counterpart", the first English-language film directed by two time BAFTA winning Adrian Sitaru which opened at Clermont Ferrand International Film Festival 2014. Mara produced Ilinca Calugareanu's debut feature documentary "Chuck Norris vs Communism" which premiered in competition at Sundance 2015. She recently became a Sundance Creative Producing Fellow and is currently in production with feature documentary There Was, There Was Not directed by Emily Mkrtichian (supported by the Sundance Institute), in development with "A Private Wild" directed by Christopher LaMarca (supported by the Sundance Institute) and "Heisenbug" written and directed by Ilinca Calugareanu (supported by the SFFilms).

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Film Production

Line Producer:
2015  Chuck Norris vs Communism

Producer:
2015  Chuck Norris vs Communism
2017  Erica - Man Made
2023  A Cautionary Tale

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.