Julian Francis Adderley

Julian Francis Adderley is a producer and editor from Montreal, Quebec, Canada. He received his Avid Certification for Editing in Post-Production at the Vancouver Film School in 1996 and graduated from the Sheridan College Media Arts program with a Diploma of Applied Art in 1998. That same year he garnered the Can Pro Independent Producer's Award for Excellence for his production of the short film The Lesser King.  He has worked on a wide range of projects throughout his career for such well established clients as Corus Entertainment, Global Television, CTV, Nikon, Grey Canada and Lions Gate Films. He has written, produced and edited promotional ad campaigns and commercials for KIA Motors and TVA Films through TVAccess Productions where he also supervised staff schedules and project assignments in both the Senior Editor and Edit Supervisor roles.  As a freelance producer his work has been featured in a variety of film and television festivals including the Just For Laughs comedy festival and the Tribeca Film Festival. He was nominated for a Canadian Screen Award for his work on the documentary news series 16x9: The Bigger Picture for Global Television.  He recently Produced and Edited the trailer for the award winning animated film Angela's Christmas for 9 Story Media Group, Netflix and Brown Bag Films and is currently the Supervising Editor & Content Workflow Specialist for Maple Leaf Sports & Entertainment.

Additional information:

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Editor:
2016  Cherry
2018  Cannonball

Original Music Composer:
2016  Cherry
2018  Belushi's Toilet
2018  Cannonball

Producer:
2016  Cherry
2017  Mishka
2018  Belushi's Toilet
2018  Cannonball

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.