A work in constant progress (and occasional regress).
Birthplace:
Porto, Portugal
Born:
December 4, 2000
Carolina do Lago (Porto, 2000) is an aspiring filmmaker. Her interests and previous work lie in film studies, directing, script writing, film criticism and photography. During her course at the School of Arts (Escola das Artes), she had the opportunity to work on two feature films as an assistant director and a production assistant. For the final graduation project, Carolina directed, produced and wrote her last short film, Azucrinado (2021), a daring project and her first contact with the fantasy genre. During her Degree in Sound and Image, she was awarded a merit scholarship for 3 consecutive years.
Art Direction:
???? A Ânsia
Director:
2016 146 - Short Horror Movie
2018 Dark Glasses at Night
2018 Em Pessoa
2022 Azucrinado
???? A Ânsia
???? Tartare
Director of Photography:
2016 146 - Short Horror Movie
2018 Dark Glasses at Night
2018 Em Pessoa
2022 Azucrinado
???? A Ânsia
???? Tartare
Producer:
2016 146 - Short Horror Movie
2018 Dark Glasses at Night
2018 Em Pessoa
2022 Azucrinado
2022 Living Water
2023 Litoral
???? A Ânsia
???? Tartare
Production Assistant:
2016 146 - Short Horror Movie
2018 Dark Glasses at Night
2018 Em Pessoa
2020 Pathosformel
2022 Azucrinado
2022 Living Water
2023 Litoral
???? A Ânsia
???? Tartare
Wardrobe Assistant:
2016 146 - Short Horror Movie
2018 Dark Glasses at Night
2018 Em Pessoa
2020 Pathosformel
2022 Azucrinado
2022 Living Water
2023 Litoral
???? A Ânsia
???? Tartare
Writer:
2016 146 - Short Horror Movie
2018 Dark Glasses at Night
2018 Em Pessoa
2020 Pathosformel
2022 Azucrinado
2022 Living Water
2023 Litoral
???? A Ânsia
???? Tartare
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.