Oren Soffer (b. 1988)

Birthplace:
Haifa, Israel

Born:
July 2, 1988

Oren is a director of photography based in Los Angeles and New York City. In 2017, Oren shot two feature films that were released theatrically: 'No Letting Go' starring Alysia Reiner, Kathy Najimy, Richard Burgi and Cheryl Allison; and 'Little Miss Perfect' starring Karlee Roberts, Isabella Palmieri and Lilla Crawford. Also in 2017, a short film that Oren shot, 'Opera of Cruelty,' won the Alternative category at the Student Academy Awards. During his studies at NYU's Tisch School of the Arts, Oren was nominated for the ASC Gordon Willis Student Heritage Award, and was a finalist for the Arri Volker Bahnemann Award for Cinematography. Oren has also shot dozens of commercials and music videos for a variety of clients including Crest, Viacom, Wilson Tennis, IBM, Grey Goose Vodka, Doritos, Marriott Hotels, Mattel, and MTV, and has worked on multiple feature films apprenticing under acclaimed Director of Photography Reed Morano, ASC.

Additional information:

The Search Form


"A" Camera Operator:
2023  Motel Melati

Additional Photography:
2016  Ghost Team
2023  Motel Melati

Additional Second Assistant Camera:
2013  He's Way More Famous Than You
2016  Ghost Team
2017  Joan Didion: The Center Will Not Hold
2023  Motel Melati

Camera Intern:
2013  He's Way More Famous Than You
2013  The Inevitable Defeat of Mister & Pete
2014  And So It Goes
2016  Ghost Team
2017  Joan Didion: The Center Will Not Hold
2023  Motel Melati

Camera Operator:
2013  He's Way More Famous Than You
2013  It Don't Come Easy
2013  Reservations
2013  The Inevitable Defeat of Mister & Pete
2014  And So It Goes
2016  Ghost Team
2017  Joan Didion: The Center Will Not Hold
2023  Motel Melati

Director:
2013  He's Way More Famous Than You
2013  It Don't Come Easy
2013  Mastodon
2013  Reservations
2013  The Inevitable Defeat of Mister & Pete
2014  And So It Goes
2016  Ghost Team
2017  Joan Didion: The Center Will Not Hold
2023  Motel Melati

Director of Photography:
2013  He's Way More Famous Than You
2013  It Don't Come Easy
2013  Mastodon
2013  Reservations
2013  The Inevitable Defeat of Mister & Pete
2014  And So It Goes
2015  Check Please
2015  Karkass Karts
2016  Ghost Team
2016  Little Miss Perfect
2016  No Letting Go
2016  The New 35
2016  Uncle Gareth
2017  A Good Dream
2017  Alientologists
2017  Far From The Tree
2017  Joan Didion: The Center Will Not Hold
2017  Lola and Dallas
2017  Opera of Cruelty
2017  The Untimely Gift
2018  El Cuco Is Hungry
2018  Negroland
2019  Ride
2020  A Nightmare Wakes
2020  Margo & Perry
2020  See You Soon
2021  Champ
2022  Catalina
2022  Fixation
2022  Fraud
2022  The Letter Men
2023  Allswell in New York
2023  Motel Melati
2023  The Creator
????  Onslaught

Second Assistant Camera:
2011  Lipstikka
2013  He's Way More Famous Than You
2013  It Don't Come Easy
2013  Mastodon
2013  Reservations
2013  The Inevitable Defeat of Mister & Pete
2014  And So It Goes
2015  Check Please
2015  Karkass Karts
2016  Ghost Team
2016  Little Miss Perfect
2016  No Letting Go
2016  The New 35
2016  Uncle Gareth
2017  A Good Dream
2017  Alientologists
2017  Far From The Tree
2017  Joan Didion: The Center Will Not Hold
2017  Lola and Dallas
2017  Opera of Cruelty
2017  The Untimely Gift
2018  El Cuco Is Hungry
2018  Negroland
2019  Ride
2020  A Nightmare Wakes
2020  Margo & Perry
2020  See You Soon
2021  Champ
2022  Catalina
2022  Fixation
2022  Fraud
2022  The Letter Men
2023  Allswell in New York
2023  Motel Melati
2023  The Creator
????  Onslaught

Director of Photography:
2021  Action Royale

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.