A work in constant progress (and occasional regress).
Ali Greene began her journey as a Production Coordinator at Industrial Light & Magic (ILM) in the fall of 2015. Through dedication and passion for visual storytelling, she rose through the ranks to become a producer, with her recent work spanning various high-profile Marvel projects. Originally from Rossland, British Columbia, Ali earned an Honors Specialization in Consumer Behavior from the University of Western Ontario. Shortly after graduating, her enthusiasm for film guided her into Visual Effects. Her first project at ILM was Deepwater Horizon, and she has since contributed to an impressive roster of feature films and streaming series, including Hawkeye, Loki, Eternals, Black Widow, Star Wars: The Rise of Skywalker (Academy Award® nominee), Aladdin, and Kong: Skull Island.
Visual Effects Coordinator:
2015 Furious 7
2017 Kong: Skull Island
2017 Only the Brave
Visual Effects Producer:
2015 Furious 7
2017 Kong: Skull Island
2017 Only the Brave
2022 Black Panther: Wakanda Forever
2022 The Guardians of the Galaxy Holiday Special
2023 Guardians of the Galaxy Vol. 3
Visual Effects Production Assistant:
2014 Night at the Museum: Secret of the Tomb
2015 Furious 7
2017 Kong: Skull Island
2017 Only the Brave
2022 Black Panther: Wakanda Forever
2022 The Guardians of the Galaxy Holiday Special
2023 Guardians of the Galaxy Vol. 3
Visual Effects Production Manager:
2014 Night at the Museum: Secret of the Tomb
2015 Furious 7
2017 Kong: Skull Island
2017 Only the Brave
2018 12 Strong
2019 Aladdin
2019 Star Wars: The Rise of Skywalker
2021 Black Widow
2022 Black Panther: Wakanda Forever
2022 The Guardians of the Galaxy Holiday Special
2023 Guardians of the Galaxy Vol. 3
Visual Effects Producer:
2021 Hawkeye
2021 Loki
2022 The Old Man
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.