A work in constant progress (and occasional regress).
Alias:
メラニー・ロラン
梅拉尼·罗兰
멜라니 로랑
Birthplace:
Paris, France
Born:
February 21, 1983
Mélanie Laurent (born 21 February 1983) is a French actress, filmmaker, and singer. The recipient of two César Awards and a Lumières Award, she is an accomplished actress in the French film industry. Globally, she is best known for her roles in Inglourious Basterds, Now You See Me, 6 Underground, and Operation Finale. Born in Paris to a Jewish family, Laurent was introduced to acting at the age of sixteen by Gérard Depardieu, who cast her in a minor role in the romantic drama The Bridge (1999). She gained wider recognition for her supporting work in several French films, most notably the 2006 comedy Dikkenek, for which she won Étoiles d'Or for Best Female Newcomer. Her breakthrough role came in the 2006 drama film Don't Worry, I'm Fine, for which she later won the César Award for Most Promising Actress and the Prix Romy Schneider. Laurent made her Hollywood debut in 2009 with the role as Shosanna Dreyfus in Quentin Tarantino's blockbuster war film Inglourious Basterds. Her performance won the Online Film Critics Society and the Austin Film Critics Association Best Actress Awards. While she has worked mainly in independent films, including Paris (2008) and Enemy (2013), Laurent also appeared in commercially successful Hollywood films, including the comedy drama Beginners (2011), and the caper film Now You See Me (2013), the former earning her a nomination at the San Diego Film Critics Society Award for Best Supporting Actress. Laurent's other notable works include the art-house drama The Round Up (2010), the comedy drama Et soudain, tout le monde me manque (2011), and the mystery thriller Night Train to Lisbon (2013). She is also known for voicing Mary Katherine and Disgust in the French dubs of Epic (2013) and Inside Out (2015) respectively. Additionally, she starred in Chris Weitz's 2018 drama Operation Finale with Oscar Isaac and Ben Kingsley, telling the story of the capture of Nazi Adolf Eichmann. In addition to her film career, Laurent has appeared in stage productions in France. She made her theatre debut in 2010 in Nicolas Bedos's Promenade de santé. The short film De moins en moins (2008) marked her debut as a filmmaker. Her feature film directorial debut is The Adopted (2011). Respire (2014), her second production as a director, was screened at the International Critics' Week section at the 2014 Cannes Film Festival. She made her singing debut with a studio album En t'attendant in May 2011; the album contains twelve songs, five of which are co-written and co-produced by Irish folk musician Damien Rice.
Director:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2023 Wingwomen
???? Sulak
???? The Mother
???? The Nightingale
Producer:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2022 No Limit
2023 Wingwomen
???? Sulak
???? The Mother
???? The Nightingale
Screenplay:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2022 No Limit
2023 Wingwomen
???? Sulak
???? The Mother
???? The Nightingale
Writer:
2008 Less and Less
2011 The Adopted
2014 Breathe
2015 Tomorrow
2017 Diving
2018 Galveston
2021 The Mad Women's Ball
2022 No Limit
2023 Wingwomen
???? Sulak
???? The Mother
???? The Nightingale
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.