Home

Kay Johnson (1904-1975)

Alias:
Catherine Townsend Johnson

Birthplace:
Mount Vernon, New York, USA

Born:
November 29, 1904

Died:
November 17, 1975

Biography from TheMovieDB

From Wikipedia, the free encyclopedia  Catherine Townsend "Kay" Johnson (November 29, 1904 – November 17, 1975) was an American stage and film actress. Johnson was signed to a contract with Metro-Goldwyn-Mayer by Cecil B. DeMille following a performance of The Silver Cord at the Repertory Theater in Los Angeles, California. The play was produced by Simeon Gest of the Figueroa Playhouse. Her film debut came in Dynamite (1929), written by Jeanie Macpherson and featuring Charles Bickford and Conrad Nagel. Production was delayed while Johnson recovered from an appendectomy.  She went on to appear in The Ship from Shanghai (1930), This Mad World (1930), Billy the Kid (1930), The Spoilers (1930) with Gary Cooper and Betty Compson, DeMille's Madam Satan (1930), Passion Flower (1930), Capra's American Madness (1932), Thirteen Women (1932), Of Human Bondage (which starred Leslie Howard and Bette Davis), Jalna (1935) and Mr. Lucky (1943). Johnson was cast opposite Warner Baxter in a screen adaptation of Such Men Are Dangerous by Elinor Glyn. The story was adapted to the screen by Fox Film.  Johnson's final film appearance came in the 1954 British film Jivaro (also known as Lost Treasure of the Amazon).

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.