A work in constant progress (and occasional regress).
Assistant Sound Engineer:
1982 Moses Pendleton Presents Moses Pendleton
Director:
1982 Moses Pendleton Presents Moses Pendleton
1995 Twilight Highway
Producer:
1982 Moses Pendleton Presents Moses Pendleton
1995 Twilight Highway
Sound:
1982 Moses Pendleton Presents Moses Pendleton
1986 The Wyeths: A Father and His Family
1995 Twilight Highway
2009 CHE and the Digital Cinema Revolution
???? Miles Goes Modal
Sound Mixer:
1982 Moses Pendleton Presents Moses Pendleton
1986 The Wyeths: A Father and His Family
1995 Twilight Highway
2009 CHE and the Digital Cinema Revolution
2015 Feelings Are Facts: The Life of Yvonne Rainer
???? Miles Goes Modal
Sound Recordist:
1982 Moses Pendleton Presents Moses Pendleton
1986 The Wyeths: A Father and His Family
1995 Twilight Highway
2006 Mystery of the Megavolcano
2009 CHE and the Digital Cinema Revolution
2015 Feelings Are Facts: The Life of Yvonne Rainer
2016 Way Out on a Limb
2017 Off the Hook: The Making of 'The Lure'
2018 Homay King on 'Shanghai Express'
2018 Three Identical Strangers
2018 Weimar on the Pacific
2019 Jay Cocks and Farran Smith Nehme on 'The Heiress'
2021 Passion Project
2022 Making The Worst Person in the World
???? Miles Goes Modal
Location Sound Recordist:
2017 My Brother, My Brother and Me
Sound:
2011 Fake or Fortune?
2017 My Brother, My Brother and Me
2020 Mummy Mysteries
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.