Merce Williams

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Assistant Sound Engineer:
1982  Moses Pendleton Presents Moses Pendleton

Director:
1982  Moses Pendleton Presents Moses Pendleton
1995  Twilight Highway

Producer:
1982  Moses Pendleton Presents Moses Pendleton
1995  Twilight Highway

Sound:
1982  Moses Pendleton Presents Moses Pendleton
1986  The Wyeths: A Father and His Family
1995  Twilight Highway
2004  The Making of the Beatles First U.S. Visit
2009  CHE and the Digital Cinema Revolution
2024  Daytime Revolution
????  Miles Goes Modal

Sound Mixer:
1982  Moses Pendleton Presents Moses Pendleton
1986  The Wyeths: A Father and His Family
1995  Twilight Highway
2004  The Making of the Beatles First U.S. Visit
2009  CHE and the Digital Cinema Revolution
2015  Feelings Are Facts: The Life of Yvonne Rainer
2024  Daytime Revolution
????  Miles Goes Modal

Sound Recordist:
1982  Moses Pendleton Presents Moses Pendleton
1986  The Wyeths: A Father and His Family
1995  Twilight Highway
2004  The Making of the Beatles First U.S. Visit
2006  Mystery of the Megavolcano
2008  Making Mishima
2009  CHE and the Digital Cinema Revolution
2015  Feelings Are Facts: The Life of Yvonne Rainer
2016  Way Out on a Limb
2017  Off the Hook: The Making of 'The Lure'
2018  Homay King on 'Shanghai Express'
2018  Three Identical Strangers
2018  Weimar on the Pacific
2019  Jay Cocks and Farran Smith Nehme on 'The Heiress'
2021  Passion Project
2022  Making The Worst Person in the World
2024  Daytime Revolution
????  Miles Goes Modal

Location Sound Recordist:
2017  My Brother, My Brother and Me

Sound:
2011  Fake or Fortune?
2017  My Brother, My Brother and Me
2020  Mummy Mysteries

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.