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Dominique Tibi

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Film Production

Delegated Producer:
2011  Stalin's Last Plot
2014  Marlon Brando: An Actor Named Desire

Executive Producer:
2011  Stalin's Last Plot
2011  The Last Days of the USSR
2014  Marlon Brando: An Actor Named Desire
2015  Nine Days in Winter
2022  The Sean Connery Paradox

Producer:
2006  My Dad Is Into Terrorism
2011  Stalin's Last Plot
2011  The Last Days of the USSR
2012  Drancy 1941–1944, the Internment Camp Next Door
2014  Marlon Brando: An Actor Named Desire
2014  Winston Churchill: A Giant in the Century
2015  François Mitterrand : que reste-t-il de nos amours ?
2015  Nine Days in Winter
2016  Hitler's Games, Berlin 1936
2017  Balladur-Chirac, mensonges et trahisons
2017  Barbra Streisand: Becoming an Icon 1942–1984
2017  The Eagle and the Lion: Hitler vs Churchill
2018  Les pieds-noirs d'Algérie : une histoire française
2021  La Ligne de démarcation, une France coupée en deux (1940-1943)
2022  The Sean Connery Paradox

Production Director:
2006  My Dad Is Into Terrorism
2011  Stalin's Last Plot
2011  The Last Days of the USSR
2012  Drancy 1941–1944, the Internment Camp Next Door
2014  Marlon Brando: An Actor Named Desire
2014  Winston Churchill: A Giant in the Century
2015  François Mitterrand : que reste-t-il de nos amours ?
2015  Nine Days in Winter
2016  Hitler's Games, Berlin 1936
2016  Nadia Comăneci: The Gymnast and the Dictator
2017  Balladur-Chirac, mensonges et trahisons
2017  Barbra Streisand: Becoming an Icon 1942–1984
2017  The Eagle and the Lion: Hitler vs Churchill
2018  Les pieds-noirs d'Algérie : une histoire française
2021  La Ligne de démarcation, une France coupée en deux (1940-1943)
2022  The Sean Connery Paradox

Click the heading above to show or hide the list.

TV Production

Producer:
2018  Israel: A Twice Promised Land
2020  Ku Klux Klan: An American Story

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.