A work in constant progress (and occasional regress).
Alias:
Lucas Vasconcelos
Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil
Lucas Vasconcelos is a Brazilian filmmaker whose work has been featured in prestigious film festivals. He directed the short film "Nothing good comes after your 30's" (2021), which was showcased at the 74th Cannes Film Festival out of competition and emerged as the major winner at CINE PE. As an editor, he worked on the feature film "Maurício de Sousa - The Dream Maker" (2024) for Disney/StarPlus.
Director:
2016 La Voisine
2016 O Jogo da Velha
2017 O Mar de Helena
2018 Bem-Vindo de Volta
2019 Linda
2021 Nothing Good Comes After Your 30's
???? Conte-nos sobre isso, ou se preferir não
Editor:
2016 La Voisine
2016 O Jogo da Velha
2017 O Mar de Helena
2018 Bem-Vindo de Volta
2019 Linda
2021 Nothing Good Comes After Your 30's
???? Conte-nos sobre isso, ou se preferir não
Producer:
2016 La Voisine
2016 O Jogo da Velha
2017 O Mar de Helena
2018 Bem-Vindo de Volta
2019 Linda
2021 Nothing Good Comes After Your 30's
???? Conte-nos sobre isso, ou se preferir não
Screenplay:
2016 La Voisine
2016 O Jogo da Velha
2017 O Mar de Helena
2018 Bem-Vindo de Volta
2019 Linda
2021 Nothing Good Comes After Your 30's
???? Conte-nos sobre isso, ou se preferir não
Writer:
2016 La Voisine
2016 O Jogo da Velha
2017 O Mar de Helena
2018 Bem-Vindo de Volta
2019 Linda
2021 Nothing Good Comes After Your 30's
???? Conte-nos sobre isso, ou se preferir não
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.