Christina Gonzalez

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Christina Gonzalez is the owner, sound supervisor, and re-recording mixer at Paper Mountain Post located in Burbank, California. Focusing on independent storytelling, she has lead her sound team on a variety of films across many genres and mediums. Christina also works at Cabin 21 sound in California mixing marketing campaigns for Paramount Pictures.

Additional information:

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Associate Producer:
2018  Everyone Loves Bulldog

Dialogue Editor:
2018  Everyone Loves Bulldog
2019  Help Me I'm Dying
2022  Blood Relatives
2022  Mancha

Executive Producer:
2017  Back for Good
2018  Everyone Loves Bulldog
2019  Help Me I'm Dying
2022  Blood Relatives
2022  Mancha

Production Manager:
2017  Back for Good
2017  One of Us
2018  Everyone Loves Bulldog
2019  Help Me I'm Dying
2022  Blood Relatives
2022  Mancha

Sound:
2017  Back for Good
2017  One of Us
2018  Everyone Loves Bulldog
2019  Help Me I'm Dying
2022  Blood Relatives
2022  Mancha
2024  Baggage

Sound Designer:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Mancha
2024  Baggage
????  Bolt From The Blue

Sound Editor:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Mancha
2024  Baggage
????  Bolt From The Blue

Sound Effects Editor:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  A Play
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Mancha
2024  Baggage
????  Bolt From The Blue

Sound Mixer:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  A Play
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Mancha
2023  Last Nite at Sam's
2024  Baggage
????  Bolt From The Blue

Sound Re-Recording Mixer:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  A Play
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Mancha
2023  Last Nite at Sam's
2024  Baggage
????  Bolt From The Blue

Sound Supervisor:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  A Play
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Dawning
2022  Mancha
2023  Last Nite at Sam's
2024  Baggage
????  Bolt From The Blue

Supervising Sound Editor:
2017  Back for Good
2017  One of Us
2017  The Nurse
2017  Whisper
2018  A Play
2018  Everyone Loves Bulldog
2018  Tap
2019  Help Me I'm Dying
2020  Don't Peek
2020  The Lake
2021  The Lookout
2022  Blood Relatives
2022  Dawning
2022  Mancha
2023  Last Nite at Sam's
2024  Baggage
????  Bolt From The Blue

Line Producer:
2020  Love Fraud

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.