A work in constant progress (and occasional regress).
Christina Gonzalez is the owner, sound supervisor, and re-recording mixer at Paper Mountain Post located in Burbank, California. Focusing on independent storytelling, she has lead her sound team on a variety of films across many genres and mediums. Christina also works at Cabin 21 sound in California mixing marketing campaigns for Paramount Pictures.
Associate Producer:
2018 Everyone Loves Bulldog
Dialogue Editor:
2018 Everyone Loves Bulldog
2019 Help Me I'm Dying
2022 Blood Relatives
2022 Mancha
Executive Producer:
2017 Back for Good
2018 Everyone Loves Bulldog
2019 Help Me I'm Dying
2022 Blood Relatives
2022 Mancha
Production Manager:
2017 Back for Good
2017 One of Us
2018 Everyone Loves Bulldog
2019 Help Me I'm Dying
2022 Blood Relatives
2022 Mancha
Sound:
2017 Back for Good
2017 One of Us
2018 Everyone Loves Bulldog
2019 Help Me I'm Dying
2022 Blood Relatives
2022 Mancha
2024 Baggage
Sound Designer:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Mancha
2024 Baggage
2024 Bolt from the Blue
Sound Editor:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Mancha
2024 Baggage
2024 Bolt from the Blue
Sound Effects Editor:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 A Play
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Mancha
2024 Baggage
2024 Bolt from the Blue
Sound Mixer:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 A Play
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Mancha
2023 Last Nite at Sam's
2024 Baggage
2024 Bolt from the Blue
Sound Re-Recording Mixer:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 A Play
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Mancha
2023 Last Nite at Sam's
2024 Baggage
2024 Bolt from the Blue
Sound Supervisor:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 A Play
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Dawning
2022 Mancha
2023 Last Nite at Sam's
2024 Baggage
2024 Bolt from the Blue
Supervising Sound Editor:
2017 Back for Good
2017 One of Us
2017 The Nurse
2017 Whisper
2018 A Play
2018 Everyone Loves Bulldog
2018 Tap
2019 Help Me I'm Dying
2020 Don't Peek
2020 The Lake
2021 The Lookout
2022 Blood Relatives
2022 Dawning
2022 Mancha
2023 Last Nite at Sam's
2024 Baggage
2024 Bolt from the Blue
2024 Hemet, or the Landlady Don't Drink Tea
Line Producer:
2020 Love Fraud
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.