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Leroy Kincaide

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Birthplace:
North London, England, UK

Biography from TheMovieDB

With over 15 years' experience in the entertainment industry, both in front of and behind the camera, Leroy has featured on shows created by companies such as ITV, BBC, WWE and PARAMOUNT.  Before turning his creative hand to the film industry, Leroy was one of the UK's top professional Wrestlers, holding a heavyweight championship and at the peak of his career had a televised match on WWE's SMACKDOWN at the O2 arena.  It was around this point in his life, Leroy realised that he wanted to be the creator of his own destiny, so after what was looking to be a very promising future in the wrestling business, he found his true passion for the film industry, and decided to embark on becoming a film director.  Wanting to express his storytelling creativity, he founded Nocturnal Pictures in 2014 and has since written and directed several short films, music videos, and has successfully completed his debut feature film "The Last Rite".  With a distinctive style, dark vision and thought evoking take on story narrative, Leroy is currently building a slate of genre movies fitting for what his imagination can create in a dark cinematic universe.  Following the success of the world premiere of The Last Rite, Leroy was nominated for the Screen International "Genre Rising Star" Award for his debut feature film.

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Additional information:

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Film Performances

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Film Production

Camera Operator:
2018  Sad Hill Unearthed

Director:
2017  Max Payne: Retribution
2018  Sad Hill Unearthed
2021  The Last Rite

Fight Choreographer:
2017  Max Payne: Retribution
2018  Sad Hill Unearthed
2021  The Last Rite
????  Back 2 Back

Producer:
2017  Max Payne: Retribution
2018  Sad Hill Unearthed
2021  The Last Rite
????  Back 2 Back

Writer:
2017  Max Payne: Retribution
2018  Sad Hill Unearthed
2021  The Last Rite
????  Back 2 Back

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TV Performances

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.