A work in constant progress (and occasional regress).
Birthplace:
Rennes, France
Born:
March 21, 1982
Died:
August 13, 2024
Élodie Lélu (March 21, 1982 – August 13, 2024) was a French Belgian filmmaker and writer known for her innovative work in both fiction and documentary films. Celebrated for her ability to blend drama and comedy, her work often explored themes of feminism, family, and the intersection of personal and societal struggles. Throughout her career, she garnered international recognition and several accolades, including awards for several of her films. Born in Rennes, Ille-et-Vilaine, France, Lélu pursued studies in Art History in Paris before enrolling at INSAS in Belgium, where she settled. She began her career directing documentaries such as Vénus Khoury-Ghata, poète franco-libanaise: Une poésie française aux saveurs de l'Orient (2005). Transitioning to fiction, she received widespread acclaim for her debut short film, Leçons de conduite (2012), which addressed abortion with humor and levity, earning multiple international awards. Her first feature film, Colocs de choc (developed under earlier titles such as Mamie Alzhie and C’est de famille!), combined humor and emotional depth to tackle Alzheimer’s disease while revisiting feminist themes. Lélu's work frequently explored the complexities of family dynamics, as exemplified in Retro Therapy (2024), her critically acclaimed feature that depicted a teenager’s relationship with her ailing grandmother. Beyond her fiction projects, Lélu created poignant documentaries such as Lettre à Théo (2012), a tribute to her collaborator, Greek filmmaker Theo Angelopoulos, and La Vie Rêvée des Embryons (2021), which delved into the challenges of parenthood and assisted reproduction. Her final documentary, Le Rêve des cigognes (2024), continued to explore these intimate themes.
Director:
2008 Theo Angelopoulos: The Internal Journey
2012 Driving Lesson
2019 Letter to Theo
2024 Retrotherapy
2025 Dream of Storks
Writer:
2008 Theo Angelopoulos: The Internal Journey
2012 Driving Lesson
2019 Letter to Theo
2024 Retrotherapy
2025 Dream of Storks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.