A work in constant progress (and occasional regress).
Boom Operator:
2016 November
Production Sound Mixer:
2016 November
2019 Collective
Sound:
2016 November
2019 Collective
2023 Anhell69
Sound Editor:
2016 A Night in Tokoriki
2016 November
2019 Collective
2021 Quo Vadis, Aida?
2023 Anhell69
Sound Effects Editor:
2016 A Night in Tokoriki
2016 November
2019 Collective
2021 Quo Vadis, Aida?
2023 Anhell69
2024 Klaus & Barroso
Sound Mix Technician:
2016 A Night in Tokoriki
2016 November
2019 Collective
2021 Quo Vadis, Aida?
2021 Întregalde
2023 Anhell69
2024 Klaus & Barroso
Sound Mixer:
2016 A Night in Tokoriki
2016 November
2019 Collective
2021 Quo Vadis, Aida?
2021 Întregalde
2023 Anhell69
2024 Klaus & Barroso
Sound Recordist:
2014 Why the Dinosaurs Disappeared
2016 A Night in Tokoriki
2016 November
2018 Palace for the People
2019 Collective
2021 Quo Vadis, Aida?
2021 Întregalde
2023 Anhell69
2024 Klaus & Barroso
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.