Jannat Gargi

Jannat Gargi is an award-winning creative producer and film executive. Prior to joining Westbrook Inc., as Senior Vice President of Documentaries, she was Vice President of Documentaries for VICE Studios overseeing development for a slate of premium documentaries and series including ESPN's 30 For 30 series about the American Gladiators and Executive Producer of three time Academy Award nominated documentary FLEE (2022).  Prior to VICE Studios, Gargi served as Head of Documentary Films for Vulcan Productions where she developed and produced a wide range of acclaimed, cause-based documentary films including the Academy Award Nominated documentary and BAFTA winning Summer of Soul (...Or, When the Revolution Could Not Be Televised) directed by Ahmir "Questlove" Thompson (2022), Academy Award Nominated short documentary, Lead Me Home (2022), Master of Light, Best Documentary Prize winner SXSW (2022), Academy Award nominated short documentary, Hunger Ward (2021), and Academy Award nominated and Emmy Award winning Body Team 12 (2016). In her work as an independent producer, Gargi co-executive produced the Academy Award nominated short documentary Knife Skills (2018) and produced the Emmy nominated feature documentary CIRCO (2010).  Gargi is a member of the Academy of Motion Picture Arts & Sciences (AMPAS), the Producer's Guild of America (PGA), serves on the Board of Directors for Washington FilmWorks and is the Co-Chair of The Redford Center, a non-profit that harnesses the power of media to engage people and galvanize environmental action.

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Producer:
2021  Murder Among the Mormons

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.