A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
January 1, 1979
Renée Nader Messora (born in 1979; Sao Paulo) is a Brazilian filmmaker . She is a graduate in Cinematography from the Universidad del Cine – Buenos Aires. For fifteen years she worked as an assistant director in Brazil, Argentina and Portugal. In 2009 Renée Nader Messora met the Krahô indigenous people. Since then, she is working with the community, participating in the mobilisation of a local collective of Krahô filmmakers. Their work is focused in the use of cinema as a tool for self-determination and the strengthening of cultural identity. "The Dead and the Others" is her debut as a director.
Camera Operator:
2019 The Dead and the Others
Cinematography:
2019 The Dead and the Others
2024 The Buriti Flower
Director:
2019 The Dead and the Others
2024 The Buriti Flower
Director of Photography:
2008 Contra corriente
2008 Sopa norteña
2018 Russa
2019 The Dead and the Others
2024 The Buriti Flower
Editor:
2008 Contra corriente
2008 Sopa norteña
2018 Russa
2019 The Dead and the Others
2024 The Buriti Flower
First Assistant Director:
2008 Contra corriente
2008 Sopa norteña
2015 Mountain
2018 Russa
2019 The Dead and the Others
2024 The Buriti Flower
Producer:
2008 Contra corriente
2008 Sopa norteña
2015 Mountain
2018 Russa
2019 The Dead and the Others
2024 The Buriti Flower
Story:
2008 Contra corriente
2008 Sopa norteña
2015 Mountain
2018 Russa
2019 The Dead and the Others
2024 The Buriti Flower
Writer:
2008 Contra corriente
2008 Sopa norteña
2015 Mountain
2017 High Cities of Bone
2018 Russa
2019 The Dead and the Others
2024 The Buriti Flower
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.