David Guillod (b. 1970)

Gallery Unavailable

Birthplace:
Los Angeles, California, U.S

Born:
October 15, 1970

David Michael Guillod is a 25+-year veteran of the entertainment industry leading the Motion Picture Talent Departments as a senior partner at United Talent Agency (UTA), Handprint Entertainment. Guillod was CEO of Intellectual Artists Management and Primary Wave Entertainment. During his tenure at Handprint, Guillod helped manage and build companies for Jennifer Lopez and Jennifer Lopez Enterprises, Sean Diddy Combs and Bad Boy Entertainment & Sean John, as well as, guided the careers of Jennifer Lopez, Katie Holmes, Jennifer Love Hewitt, Julia Stiles, Justin Long, Monica Potter, and Terrence Howard.  At UTA, Guillod was the co-head of the motion picture talent department for nine years and guided the careers and built companies for Don Cheadle, Rachel McAdams, Liv Tyler, Julie Bowen, and Oscar-winning writer Bobby Moresco (Crash and Million Dollar Baby). Additionally, Guillod packaged such films as Crash, Hotel Rwanda and Hustle & Flow while at UTA.  Guillod then set his sights on building an entertainment/media company with an emphasis on creating ownership of assets. He created Intellectual Artist Management which quickly merged with Primary Wave Entertainment with Guillod becoming the Co-CEO overseeing all talent & literary management, as well as, film and tv production divisions while also establishing Primary Wave Entertainment as one of the largest publishing and media companies in the United States.  Guillod is best known for producing the movies Extraction at Netflix starring Chris Hemsworth, Atomic Blonde at Universal, starring Charlize Theron, The Intruder at Sony and TV Show Loudermilk with Pete Farrelly.

Additional information:

The Search Form


Executive Producer:
2017  Atomic Blonde
2018  Bent
2019  The Intruder
2020  Extraction

Thanks:
2014  Let's Kill Ward's Wife
2017  Atomic Blonde
2018  Bent
2019  The Intruder
2020  Extraction

Executive Producer:
2017  Loudermilk

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.