Shane Reid

Shane Reid is an American feature and commercial editor living in Los Angeles.  Along with partner and editor Kirk Baxter, Reid is a partner at the Santa Monica-based, award-winning post-house Exile Edit. Among the prestigious companies he has collaborated with are Apple, Adidas, BMW, Hennessy, Audi, and the Olympics. He quickly established himself as one of the most dependable short-form editors, working with directors like Damien Chazelle, Terrence Malick, Andrew Dominik, Jason Reitman, Craig Gillespie, Blake Lively, John Hillcoat, and Chloe Zhao. He won numerous awards and was nominated for an Emmy and a Cannes Lion in the commercial category. In addition, he has produced numerous music videos for artists including Paul McCartney, Florence + The Machine, Kamasi Washington, and Taylor Swift.  In 2016, Reid served as the editor of Andrew Dominik's feature documentary One More Time With Feeling, which followed singer Nick Cave as he recorded his studio album "Skeleton Tree" while dealing with the untimely death of his son. Alwin Kuchler and Benoit Debie shot the 3D black-and-white picture, which debuted at the Venice International Picture Festival to great acclaim before being selected by Picture House for a theatrical release.  For director Terrence Malick, Reid edited the movie A Hidden Life in 2018. For filmmaker Michael Spiccia, he recently edited the short film I'm on Fire, which had its world premieres at the 2022 Toronto and Clermont-Ferrand International Festivals.  Reid was recently one of the editors on Ghostbusters: Frozen Empire and the upcoming Deadpool & Wolverine.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.