Home

Philip Cartelli

Gallery Unavailable

Alias:
Nusquam

Biography from TheMovieDB

Philip Cartelli is a moving-image artist and researcher whose film and video work has been exhibited at Locarno Film Festival, Edinburgh International Film Festival, Visions du Réel, Torino Film Festival, FID Marseille, and Film at Lincoln Center’s Art of the Real, among others. Since 2013 he has also worked as one half of the duo Nusquam with Mariangela Ciccarello.  He holds a PhD in Media Anthropology with a secondary emphasis in Critical Media Practice from Harvard University, where he was a member of the Sensory Ethnography Lab, and a PhD in Sociology from the Ecole des hautes études en sciences sociales (Paris). His academic and critical writing has appeared in a variety of publications and he has presented his practice and research in international conferences and other venues.  He has received fellowships and residency grants from the Fulbright-Institute for International Education, the Wenner-Gren Foundation, Cittadellarte-Fondazione Pistoletto, Fondazione Zegna, The Camargo Foundation, The Valletta 2018 Foundation, Roberto Cimetta Fund, and Film Study Center at Harvard University, among others.  He is currently Assistant Professor of Film and Chair of the Department of Visual Arts at Wagner College in New York City as well as a member of the Comité du film ethnographique in Paris.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Cinematography:
2015  Lampedusa

Director:
2015  Lampedusa
2019  Sublunary
2022  France
????  Slow Return
????  The Anarchist

Editor:
2015  Lampedusa
2019  Sublunary
2022  France
????  Slow Return
????  The Anarchist

Sound Director:
2015  Lampedusa
2019  Sublunary
2022  France
????  Slow Return
????  The Anarchist

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.