Mariangela Ciccarello

Alias:
Nusquam

Mariangela Ciccarello is an artist working in moving image, installation, and sculpture. Her work has been featured at the Locarno Film Festival, Edinburgh International Film Festival, Torino Film Festival, Harvard Art Museum, and Film Society of Lincoln Center among other venues. She has participated in residency programs and workshops in Europe and the United States. She was a participant in the 2018 edition of the Feature Expanded international film production workshop.  In addition to her solo career, she has also produced work as part of the artistic duo Nusquam Productions, dedicated to critical interrogations of Mediterranean geographies, histories and identities. Her work has been supported by the Roberto Cimetta Fund, the Valletta 2018 Foundation and New York State Council for the Arts among others. She has been a featured artist at the Mediterranea 18 Biennale and the Syros International Film Festival. She holds an MFA from Mason Gross School of the Arts, Rutgers University (US), an MA from the University of Provence (FR), and a BA in Philosophy from Alma Mater Studiorum, Bologna (IT). In 2019-20 she was a participant in the Whitney Independent Study Program – Studio Program.  Mariangela Ciccarello’s practice explores the fissures or ruptures, which allow imagination and reality to communicate, in order to create a wider space of possibilities where new paradigms can take form. In such a fluid territory, questions of gender, as well as race, class, mobility, resistance to war and capitalism, can be reformulated differently from models of exclusion that predominate in the world today.

Additional information:

The Search Form


Dialogue:
2015  Lampedusa

Director:
2015  Lampedusa
2019  Sublunary
2022  France
????  The Anarchist

Editor:
2015  Lampedusa
2019  Sublunary
2022  France
????  The Anarchist

Story:
2015  Lampedusa
2019  Sublunary
2022  France
????  The Anarchist

Writer:
2015  300 Nassau
2015  Lampedusa
2019  Sublunary
2022  France
????  The Anarchist

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.