A work in constant progress (and occasional regress).
Co-Producer:
1985 Love Lives On
Director:
1978 Bud and Lou
1981 Tough Girl
1985 Ace Hits The Big Time
1985 First The Egg
1985 Love Lives On
1989 Just Tipsy, Honey
Producer:
1973 The Paper Chase
1974 The Mark of Zorro
1976 Lanigan's Rabbi
1978 Bud and Lou
1981 Tough Girl
1985 Ace Hits The Big Time
1985 First The Egg
1985 Love Lives On
1989 Just Tipsy, Honey
Story:
1973 The Paper Chase
1974 The Mark of Zorro
1976 Lanigan's Rabbi
1978 Bud and Lou
1981 Tough Girl
1985 Ace Hits The Big Time
1985 First The Egg
1985 Love Lives On
1989 Just Tipsy, Honey
1994 The Cowboy Way
Director:
1972 ABC Afterschool Special
1977 Weekend Special
1978 The Paper Chase
1980 Magnum, P.I.
1981 Dynasty
1981 Hill Street Blues
1981 The Greatest American Hero
1982 Chicago Story
1982 Fame
1982 Seven Brides for Seven Brothers
1984 CBS Schoolbreak Special
Executive Producer:
1972 ABC Afterschool Special
1977 Weekend Special
1978 The Paper Chase
1980 Magnum, P.I.
1981 Dynasty
1981 Hill Street Blues
1981 The Greatest American Hero
1982 Chicago Story
1982 Fame
1982 Seven Brides for Seven Brothers
1984 CBS Schoolbreak Special
Producer:
1972 ABC Afterschool Special
1977 Weekend Special
1978 The Paper Chase
1980 Magnum, P.I.
1981 Dynasty
1981 Hill Street Blues
1981 The Greatest American Hero
1982 Chicago Story
1982 Fame
1982 Seven Brides for Seven Brothers
1984 CBS Schoolbreak Special
2000 The $treet
Writer:
1972 ABC Afterschool Special
1977 Weekend Special
1978 The Paper Chase
1979 Trapper John, M.D.
1980 Magnum, P.I.
1981 Dynasty
1981 Hill Street Blues
1981 The Greatest American Hero
1982 Chicago Story
1982 Fame
1982 Seven Brides for Seven Brothers
1984 CBS Schoolbreak Special
2000 The $treet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.