Roger Hendricks Simon

A graduate and founding member of Robert Brustein's Yale Repertory Company, Roger went on to direct and act for Joe Papp's New York Shakespeare Festival, and also London's Royal Court Theatre, Dublin's Abbey Theatre, Edinburgh Festival, Lincoln Center, Brooklyn Academy of Music, La Mama, Roundabout, Juilliard Opera, Los Angeles Theatre Center, the Williamstown Theatre Festival, O'Neill Playwrights Conference, Folger Shakespeare Group, Great Lakes Theatre Festival, PBS, Metromedia and BBC-TV, and National Public Radio. Elected to Notable Names in American Theatre, Roger has directed in London, New York and international festival premieres by Tennessee Williams, Sam Shepard, David Hare, Michael Weller, John Guare, Terrence McNally, Lanford Wilson, Israel Horowitz, Jean-Claude van Itallie, Megan Terry and William Saroyan. He has directed John Lithgow, John Travolta, James Earl Jones, James Woods, Tovah Feldshuh, Samuel L. Jackson, Dick Shawn and Judith Ivey to name but a few. Roger has directed plays and taught all aspects of communications in India, Pakistan, Iran, Nigeria, South Africa and throughout Europe for the U.S.I.A. and U.S. State Department. In the United States he has taught at UCLA, Columbia University, Yale University, N.Y.U., Juilliard, Brooklyn College. Roger is the founding artistic director for both The Simon Studio (since 1978) in New York City and the Los Angeles Theatre Center Classical Theatre Lab (since 1990). Roger was awarded an NEA grant as producing director of National Public Radio's Simon Studio Presents (also on XM Sirius cable radio and Time Warner Public Access TV). As an actor he recently played a role based on Hank Greenberg of AIG in Oliver Stone's Wall Street2 opposite Michael Douglas and played the lead roles in the critically acclaimed indie feature The Sublet, in the film short Jimmy's Cafe (Newport Beach Film Festival) and currently co-produces, directs and acts in The Simon Studio and Sarah Levine Simon's musical web series Bread Today.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.