Juliet Berto (1947-1990)

Alias:
Жюльет Берто
ジュリエット・ベルト
쥘리에트 베르토

Birthplace:
Grenoble, Isère, Rhône-Alpes, France

Born:
January 16, 1947

Died:
January 10, 1990

From Wikipedia  Juliet Berto (16 January 1947 – 10 January 1990) was a French actress, director and screenwriter.  A member of the same loose group of student radicals as Anne Wiazemsky, she first appeared in Jean-Luc Godard's Two or Three Things I Know About Her, and would go on to appear in many of Godard's subsequent films, including La Chinoise, Week End, Le Gai Savoir, and Vladimir et Rosa. She later became a muse for the French New Wave director Jacques Rivette, starring in Out 1 and Celine and Julie Go Boating.  In the 1980s she also became a screenwriter and film director. Her film Cap Canaille (1983) was entered into the 33rd Berlin International Film Festival. In 1987, she was a member of the jury at the 37th Berlin International Film Festival.  She died of cancer on 10 January 1990. She was 42.

Additional information:

The Search Form


Adaptation:
1981  Snow

Dialogue:
1981  Snow
1986  Havre

Director:
1981  Snow
1983  Cap Canaille
1986  Havre
1989  Damia: Concert in Black Velvet

Idea:
1981  Snow
1983  Cap Canaille
1986  Havre
1989  Damia: Concert in Black Velvet

Producer:
1975  Claro
1981  Snow
1983  Cap Canaille
1986  Havre
1989  Damia: Concert in Black Velvet

Writer:
1974  Céline and Julie Go Boating
1975  Claro
1981  Snow
1983  Cap Canaille
1986  Havre
1989  Damia: Concert in Black Velvet

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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