A work in constant progress (and occasional regress).
Birthplace:
New York City, New York
Eleanor Antin, who has worked in film, video, photography, installation, writing and performance since the 1960s, uses fictional characters, autobiography and narrative to invent histories and explore what she calls, "the slippery nature of the self." In her performance-based video works, Antin uses role-playing and artifice as conceptual devices, adopting archetypal personae — a ballerina, a king, a nurse — in her theatrical dramatizations of identity and representation. Antin was born in New York City in 1935. She studied art at The High School of Music & Art in New York, and received a B. A. in creative writing and art at City College of New York in 1958. Her work has been exhibited in solo shows at The Museum of Modern Art, New York; Whitney Museum of American Art, New York; the Museum of Contemporary Art, San Diego, CA; the Museum of Contemporary Art, Chicago; the Jewish Museum, New York, and the Ronald Feldman Gallery, New York, among others. Antin has also participated in many group exhibitions, at venues such as the Brooklyn Museum, New York; San Francisco Museum of Modern Art; Centre Pompidou, Paris; Zachęta National Gallery of Art, Warsaw, Poland; J. Paul Getty Museum, Los Angeles; Walker Art Center, Minneapolis, MN; Museum of Contemporary Art, Sydney, Australia, for the 2002 Sydney Biennale; Louisiana Museum of Modern Art, Denmark; The Hirshhorn Museum and Sculpture Garden, Washington, D.C., and the 37th Venice Biennale. Antin has been honored with several retrospectives of her work, including Eleanor Antin: I wish I had a paper doll I could call my own... at Ronald Feldman Fine Arts New York in 2016, Multiple Occupancy: Eleanor Antin's Selves held at the Wallach Art Gallery, Columbia University, New York in 2013, a survey of Antin's work was on view at the Washington University Gallery of Art in St. Louis, Missouri in 2000 and at the Los Angeles County Museum of Art in 1999. In 2006, Antin received a Lifetime Achievement Award from the College Art Association and a Lifetime Achievement in the Visual Arts Award from the Women's Caucus for Art, she was awarded a Media Achievement Award from the National Foundation for Jewish Culture in 1998, and was also awarded a John Simon Guggenheim Memorial Foundation Fellowship in 1997. She is currently Professor Emeritus of Visual Arts at the University of California, San Diego. Antin lives and works in San Diego, CA.
Director:
1971 Representational Painting
1972 The King
1976 The Adventures of a Nurse (Parts I and II)
1987 From the Archives of Modern Art
1989 The Last Night of Rasputin
1991 The Man Without a World
Producer:
1971 Representational Painting
1972 The King
1976 The Adventures of a Nurse (Parts I and II)
1987 From the Archives of Modern Art
1989 The Last Night of Rasputin
1991 The Man Without a World
Writer:
1971 Representational Painting
1972 The King
1976 The Adventures of a Nurse (Parts I and II)
1987 From the Archives of Modern Art
1989 The Last Night of Rasputin
1991 The Man Without a World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.