Home

Stan Salfas

Gallery Unavailable

Alias:
Stan Salfas, A.C.E.

Additional information:

The Search Form


Film Production

Additional Editing:
1997  Excess Baggage

Additional Editor:
1997  Excess Baggage
2020  Extraction

Associate Producer:
1992  Star Time
1997  Excess Baggage
2020  Extraction

Editor:
1985  Three Sovereigns for Sarah
1988  Spike of Bensonhurst
1992  Star Time
1993  Quick
1994  New Eden
1995  The Underneath
1996  The Pallbearer
1997  Excess Baggage
1998  Clay Pigeons
2000  2÷3
2010  Let Me In
2012  Chernobyl Diaries
2012  Tomorrow You're Gone
2013  Morning
2014  Dawn of the Planet of the Apes
2016  Now You See Me 2
2017  War for the Planet of the Apes
2019  Line of Duty
2020  Extraction
2021  Venom: Let There Be Carnage

Post Production Supervisor:
1985  Three Sovereigns for Sarah
1988  Spike of Bensonhurst
1992  Star Time
1993  Quick
1994  New Eden
1995  The Underneath
1996  The Pallbearer
1997  Excess Baggage
1998  Clay Pigeons
2000  2÷3
2010  Let Me In
2012  Chernobyl Diaries
2012  Tomorrow You're Gone
2013  Morning
2014  Dawn of the Planet of the Apes
2016  Now You See Me 2
2017  War for the Planet of the Apes
2019  Line of Duty
2020  Extraction
2021  Venom: Let There Be Carnage

Click the heading above to show or hide the list.

TV Production

Director:
1998  Felicity

Editor:
1993  Fallen Angels
1998  Felicity
2003  One Tree Hill
2003  Tru Calling

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.