Pedro Collantes

Alias:
Pedro Collantes de Terán Bayonas

Pedro Collantes is a screenwriter, director, editor and producer. He studied cinema and specialized in editing in Madrid and later studied an MA at the Netherlands Film Academy. Since 2018 he’s a member of the OSCARS Academy (Academy of Motion Picture Arts & Sciences) and of the French Académie des Arts et Techniques du Cinéma since 2020.  His short films have screened in international film festivals, including IFFR Rotterdam, Chicago Int. Film Festival, Encounters, or Festival des Filmes du Monde de Montréal. His work has received awards at Clermont Ferrand, Festival de Cine Español de Málaga, ALCINE, Palm Springs and Cinespaña-Toulouse, among others. In 2018 he wrote and directed the short film “ATO SAN NEN”, official selection for the CÉSAR 2019 award for best fiction short film.  “EL ARTE DE VOLVER” (2020), the first Spanish project selected in the Biennale College Cinema program, is his first feature film as a screenwriter and director. It premiered at the 2020 VENICE Film Festival.  As a producer he received a GOYA nomination in 2020 for the animated short MUEDRA, directed by César Díaz. As an editor he has over twenty credits. Some examples are the series 800 Meters (Netflix, 2021) Antidisturbios (Movistar +, 2020), the documentary series The Alcàsser Murders (Netflix, 2019) and Héroes Invisibles (TVE, 2016-2017), or the documentary feature film Shadow World (2016).

Additional information:

The Search Form


Additional Editing:
2023  Lava

Co-Producer:
2017  Ato San Nen
2023  Lava
2023  Nights Gone By

Director:
2011  15 Summers Later
2014  Serori
2017  Ato San Nen
2017  Off Ice
2020  The Art of Return
2023  Lava
2023  Nights Gone By
????  Eskiper
????  Nothing Stranger

Editor:
2011  15 Summers Later
2014  Serori
2015  May 9th
2016  Shadow World
2017  Ato San Nen
2017  Off Ice
2019  Black Bass
2019  The Chuck Band Show
2020  The Art of Return
2022  Ponto Final
2023  Lava
2023  Nights Gone By
2023  The Last Night of Sandra M.
2024  Birth
2024  La mitad de Ana
????  Eskiper
????  Nothing Stranger

Producer:
2011  15 Summers Later
2014  Serori
2015  May 9th
2016  Shadow World
2017  Ato San Nen
2017  Off Ice
2019  Black Bass
2019  Muedra
2019  The Chuck Band Show
2020  The Art of Return
2022  Ponto Final
2023  Lava
2023  Nights Gone By
2023  The Last Night of Sandra M.
2024  Birth
2024  La mitad de Ana
????  Eskiper
????  Nothing Stranger

Screenplay:
2011  15 Summers Later
2014  Serori
2015  May 9th
2016  Shadow World
2017  Ato San Nen
2017  Off Ice
2019  Black Bass
2019  Muedra
2019  The Chuck Band Show
2020  The Art of Return
2022  Ponto Final
2023  Lava
2023  Nights Gone By
2023  The Last Night of Sandra M.
2024  Birth
2024  La mitad de Ana
????  Eskiper
????  Nothing Stranger

Writer:
2011  15 Summers Later
2014  Serori
2015  May 9th
2016  Shadow World
2017  Ato San Nen
2017  Off Ice
2019  Black Bass
2019  Muedra
2019  The Chuck Band Show
2020  The Art of Return
2022  Ponto Final
2023  Lava
2023  Nights Gone By
2023  The Last Night of Sandra M.
2024  Birth
2024  La mitad de Ana
????  Eskiper
????  Nothing Stranger

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.