A work in constant progress (and occasional regress).
Alias:
A. Rampoldi
Birthplace:
Argentina
Antonio Rampoldi was an Argentine film editor who worked on around fifty films during his career.[1] Many of these were made during the Golden Age of Argentine Cinema. From Wikipedia, the free encyclopedia
Editor:
1942 Adam's Pajamas
1942 El viaje
1942 Historia de crímenes
1942 Los chicos crecen
1942 Noche de bodas
1942 Spring Bride
1942 Una luz en la ventana
1942 When My Heart Calls
1943 Dieciséis años
1943 El fabricante de estrellas
1943 La guerra la gano yo
1943 La hija del ministro
1943 Safo, historia de una pasión
1944 Mi novia es un fantasma
1944 Se rematan ilusiones
1945 Las seis suegras de Barba Azul
1945 Swan Song
1946 Adán y la serpiente
1946 Deshojando margaritas
1946 No salgas esta noche
1946 Un beso en la nuca
1947 30 seconds of love
1947 Devil in the Flesh
1947 Los verdes paraísos
1948 La locura de Don Juan
1948 La muerte camina en la lluvia
1948 Los pulpos
1948 Novio, marido y amante
1948 Una atrevida aventurita
1949 Miguitas en la cama
1949 Morir en su ley
1949 Un hombre solo no vale nada
1949 Yo no elegí mi vida
1949 ¿Por qué mintió la cigüeña?
1950 Filomena Marturano
1950 Valentina
1950 ¿Vendrás a medianoche?
1951 Cartas de amor
1951 Una noche cualquiera
1952 Mi hermano Esopo (Historia de un Mateo)
1954 Río Turbio
1955 Ensayo final
1956 Blessed be you
1959 Reportaje en el infierno
1959 The Big Business
1966 Del brazo con la muerte
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.