A work in constant progress (and occasional regress).
Birthplace:
Gdynia, Pomorskie, Poland
Born:
April 16, 1980
Additional Photography:
2017 The Best Fireworks Ever
2020 Tony Halik
Camera Operator:
2008 Czas Honoru
2011 Black Thursday
2013 The Closed Circuit
2013 The Traffic Department
2014 Gods
2015 Father
2016 Hatred
2017 The Best Fireworks Ever
2019 Fighter
2020 Tony Halik
2021 Other People
2024 Unpredictable
Director of Photography:
2008 Czas Honoru
2009 Overboard
2011 Black Thursday
2013 The Closed Circuit
2013 The Traffic Department
2014 Gods
2014 Totart, czyli odzyskiwanie rozumu
2015 America
2015 Father
2016 Hatred
2017 Scaffolding
2017 The Best Fireworks Ever
2019 Fighter
2019 Kult - Legendary Rock
2020 Long Day Tomorrow
2020 Tony Halik
2020 Zenek
2021 Other People
2024 Sanatorium Under the Sign of the Hourglass
2024 Unpredictable
2025 Dziadku, wiejemy!
Second Unit Director of Photography:
2008 Czas Honoru
2009 Overboard
2011 Black Thursday
2013 The Closed Circuit
2013 The Traffic Department
2014 Gods
2014 Totart, czyli odzyskiwanie rozumu
2015 America
2015 Father
2016 Hatred
2017 Scaffolding
2017 The Best Fireworks Ever
2019 Fighter
2019 Kult - Legendary Rock
2020 Long Day Tomorrow
2020 Tony Halik
2020 Zenek
2021 Other People
2024 Sanatorium Under the Sign of the Hourglass
2024 Unpredictable
2025 Dziadku, wiejemy!
Camera Operator:
2013 To nie koniec świata!
2014 Days of Honor - Powstanie
2022 The Mother
Director of Photography:
2013 To nie koniec świata!
2014 Days of Honor - Powstanie
2017 Miasto skarbów
2022 The Mother
Second Unit Director of Photography:
2013 To nie koniec świata!
2014 Days of Honor - Powstanie
2016 The Teacher
2017 Miasto skarbów
2022 The Mother
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.