A work in constant progress (and occasional regress).
Music:
2012 Karel Reisz, Ten filmový život
Original Music Composer:
2012 Karel Reisz, Ten filmový život
2022 Avalanche of Love
Sound:
2010 G. F. Händel: La Resurrezione – Vzkříšení
2011 Jan Balabán
2011 Krok do prázdna Jana Masaryka aneb Dokonalý zločin
2012 Karel Reisz, Ten filmový život
2017 Televise, která měla nebýt
2017 V hlavní roli trubka
2018 Vilém Veverka a Ensemble Opera Diversa
2022 Avalanche of Love
2023 K poctě Davida Stypky
2023 Kateřina Marie Tichá & Bandjeez
Sound Editor:
2010 G. F. Händel: La Resurrezione – Vzkříšení
2011 Jan Balabán
2011 Krok do prázdna Jana Masaryka aneb Dokonalý zločin
2012 Karel Reisz, Ten filmový život
2017 I Am the Doorway
2017 Televise, která měla nebýt
2017 V hlavní roli trubka
2018 Vilém Veverka a Ensemble Opera Diversa
2022 Avalanche of Love
2023 K poctě Davida Stypky
2023 Kateřina Marie Tichá & Bandjeez
Sound Mixer:
2010 G. F. Händel: La Resurrezione – Vzkříšení
2011 Jan Balabán
2011 Krok do prázdna Jana Masaryka aneb Dokonalý zločin
2012 Karel Reisz, Ten filmový život
2017 I Am the Doorway
2017 Televise, která měla nebýt
2017 V hlavní roli trubka
2018 Vilém Veverka a Ensemble Opera Diversa
2019 Rytíři Bastlíři
2021 Václav II. – cesta ze stínu
2022 Avalanche of Love
2023 Jarmila Šuláková – královna lidové písně
2023 K poctě Davida Stypky
2023 Kateřina Marie Tichá & Bandjeez
2023 Lenka Dusilová 20 let sólo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.