A work in constant progress (and occasional regress).
Alias:
Cepa Cine
Birthplace:
Bogota, Colombia
Born:
August 24, 1979
Co-Producer:
2017 Pendular
Executive Producer:
2013 7th Floor
2016 El (im)posible olvido
2017 Nobody's Watching
2017 Pendular
Legal Services:
2007 XXY
2013 7th Floor
2016 El (im)posible olvido
2017 Nobody's Watching
2017 Pendular
Producer:
2007 XXY
2008 Los chicos desaparecen
2008 Return to Bolivia
2009 Puentes
2010 La Infinita Distancia
2011 El último hombre
2012 Found Memories
2012 Lions
2013 7th Floor
2013 Argentina, los 500 bebés robados de la dictadura
2013 Memories They Told Me
2014 Holiday
2015 Anconetani
2015 La vida después
2015 Magallanes
2015 Our House in Cuba
2016 El (im)posible olvido
2017 Los sentidos
2017 Nobody's Watching
2017 Pendular
2017 Praça Paris
2018 Las Vegas
2018 When You No Longer Love Me
2020 Ana
2020 Descubriendo a José Padilla
2020 La chancha
2020 Vicenta
2022 Axiomas
2022 Trilogía Muda
2024 The Messenger
Production Coordinator:
2005 Caseros en la Cárcel
2007 XXY
2008 Los chicos desaparecen
2008 Return to Bolivia
2008 Tocando en el silencio
2009 Puentes
2010 La Infinita Distancia
2011 El último hombre
2012 Found Memories
2012 Lions
2013 7th Floor
2013 Argentina, los 500 bebés robados de la dictadura
2013 Memories They Told Me
2014 Holiday
2015 Anconetani
2015 La vida después
2015 Magallanes
2015 Our House in Cuba
2016 El (im)posible olvido
2017 Los sentidos
2017 Nobody's Watching
2017 Pendular
2017 Praça Paris
2018 Las Vegas
2018 When You No Longer Love Me
2020 Ana
2020 Descubriendo a José Padilla
2020 La chancha
2020 Vicenta
2022 Axiomas
2022 Trilogía Muda
2024 The Messenger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.