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Mélanie Gauthier

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Film Production

Assistant Editor:
1999  Beyond Borders: Arab Feminists Talk About Their Lives... East and West

Location Sound Recordist:
1999  Beyond Borders: Arab Feminists Talk About Their Lives... East and West
2014  Absences

Post Production Supervisor:
1999  Beyond Borders: Arab Feminists Talk About Their Lives... East and West
2014  Absences
2018  Suis-moi
2019  The Twentieth Century

Sound:
1999  Beyond Borders: Arab Feminists Talk About Their Lives... East and West
2007  The Other Side of the Country
2010  Children of Soldiers
2011  Hands Off My Church!
2011  Le chant de la brousse
2014  Absences
2014  Okpik's Dream
2016  A Dog's Life
2018  L'homme de l'Isle
2018  Suis-moi
2019  Chef.fe.s de brousse
2019  The Twentieth Century
2020  Plus haut que les flammes

Sound Designer:
1999  Beyond Borders: Arab Feminists Talk About Their Lives... East and West
2007  The Other Side of the Country
2010  Children of Soldiers
2011  Hands Off My Church!
2011  Le chant de la brousse
2014  Absences
2014  Okpik's Dream
2016  A Dog's Life
2018  L'homme de l'Isle
2018  Suis-moi
2018  Ziva Postec: The Editor Behind the Film Shoah
2019  Becoming Labrador
2019  Chef.fe.s de brousse
2019  I Am Skylar
2019  Standing on the Line
2019  The Twentieth Century
2020  Far from Bashar
2020  Plus haut que les flammes
2024  At the End of Nothing at All

Sound Recordist:
1999  Beyond Borders: Arab Feminists Talk About Their Lives... East and West
2007  The Other Side of the Country
2010  Children of Soldiers
2011  Hands Off My Church!
2011  Le chant de la brousse
2013  Secretariat's Jockey, Ron Turcotte
2014  Absences
2014  Okpik's Dream
2015  The Name You Carry
2016  A Dog's Life
2018  L'homme de l'Isle
2018  Suis-moi
2018  Those Who Come, Will Hear
2018  Ziva Postec: The Editor Behind the Film Shoah
2019  Becoming Labrador
2019  Chef.fe.s de brousse
2019  I Am Skylar
2019  Standing on the Line
2019  The Twentieth Century
2020  Far from Bashar
2020  Plus haut que les flammes
2024  At the End of Nothing at All

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.