Maria Rusche

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Alias:
Maria Mercedes Rusche

Maria Rusche is a Cuban American cinematographer who grew up outside of Boston, Massachusetts. She got her start as a gaffer and lighting technician on major feature films and television shows, where she developed her eye for lighting and the collaborative skills that are essential to a cinematographer. Her narrative work includes Emma Seligman's feature debut Shiva Baby, which premiered in competition at SXSW 2020 and TIFF 2020, as well as The Rat (Sundance 2019), and One Good Pitch (Tribeca 2016).

Additional information:

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Cinematography:
2019  Nowhere to Nun
????  Distance
????  Five Song Tour

Director of Photography:
2016  One Good Pitch
2016  The Pink Detachment
2017  August in the City
2017  Night
2018  Debbie Does Dilators
2019  Georgica
2019  Nowhere to Nun
2019  The Rat
2020  Big Exit
2021  Dating & New York
2021  Shiva Baby
2021  The Lesbian Bar Project
2022  Love, Barbara
2023  Bottoms
2024  Empire Waist
????  Distance
????  Five Song Tour

Gaffer:
2016  One Good Pitch
2016  The Pink Detachment
2017  August in the City
2017  Night
2018  Debbie Does Dilators
2018  Who We Are Now
2019  Georgica
2019  Nowhere to Nun
2019  The Rat
2020  Big Exit
2021  Dating & New York
2021  Shiva Baby
2021  The Lesbian Bar Project
2022  Love, Barbara
2023  Bottoms
2024  Empire Waist
????  Distance
????  Five Song Tour

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.