A work in constant progress (and occasional regress).
Alias:
Maria Mercedes Rusche
Maria Rusche is a Cuban American cinematographer who grew up outside of Boston, Massachusetts. She got her start as a gaffer and lighting technician on major feature films and television shows, where she developed her eye for lighting and the collaborative skills that are essential to a cinematographer. Her narrative work includes Emma Seligman's feature debut Shiva Baby, which premiered in competition at SXSW 2020 and TIFF 2020, as well as The Rat (Sundance 2019), and One Good Pitch (Tribeca 2016).
"B" Camera Operator:
2024 A Different Man
Cinematography:
2019 Nowhere to Nun
2024 A Different Man
???? Distance
???? Five Song Tour
Director of Photography:
2015 The Pink Detachment
2016 One Good Pitch
2017 August in the City
2017 Night
2018 Debbie Does Dilators
2019 Georgica
2019 Nowhere to Nun
2019 The Rat
2020 Big Exit
2021 Dating & New York
2021 Shiva Baby
2021 The Lesbian Bar Project
2022 Love, Barbara
2023 Bottoms
2024 A Different Man
2024 Empire Waist
???? Distance
???? Five Song Tour
Gaffer:
2015 The Pink Detachment
2016 One Good Pitch
2017 August in the City
2017 Night
2018 Debbie Does Dilators
2018 Who We Are Now
2019 Georgica
2019 Nowhere to Nun
2019 The Rat
2020 10 Things We Should Do Before We Break Up
2020 Big Exit
2021 Dating & New York
2021 Shiva Baby
2021 The Lesbian Bar Project
2022 Love, Barbara
2023 Bottoms
2024 A Different Man
2024 Empire Waist
???? Distance
???? Five Song Tour
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.