A work in constant progress (and occasional regress).
Birthplace:
Montpellier, France
Born:
May 29, 1951
Born on May 29, 1951 in Montpellier, Martine Rousset resided in Sète, France until 1975. She studied Philosophy of Cinema at the Université Paul Valery of Montpellier. As a director, she focuses on light and script. She has worked in cinema since 1977, and has been working as an expert beside Suzanne Pagé since 1978 in the audiovisual department of the Musée d’Art Moderne de la ville de Paris. She has attended various festivals such as Festival of Berlin (1980), MNAM, Paris (1989), Berkeley (1990), MoMA, New York (1995), Feminale, Cologne (1992/1994/1996), Osnabrück (1996), IMPACT (1996), Oberhausen (1998), Scratch (1998/2001/2003), Riga (2002), Pesaro (2003), Los Angeles Film Forum (2004), Festival des cinémas differents, Paris (2005), La Enana Marrón, Madrid (2005), Rencontre des labos de Bruxelles (2005), 10 ans de l'Abominable (2006), Taiwan Women in the Arts (2007), Les Inattendus, Lyon (2007), Belgrade Alternative Film Festival (2008), Les Écrans Documentaires (2008).
Cinematography:
1977 Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
1978 Le petite réverbère
1980 Carolyn II
1981 Carolyn III
1984 Laure
1985 Dehors
1988 Mansfield K.
1990 Les heures
1991 Été
1993 Kleist
1994 Un vent leger dans le feuillage
1995 Chants
1998 Passages
2000 Hôtel Turkoman
2007 Istanbul
2015 Anatolia
2020 Aurore Collective
???? Samarcande
Director:
1977 Carolyn danse
1977 Encéphale
1977 Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
1978 Le petite réverbère
1979 In/ex Dérive
1980 Carolyn II
1981 Carolyn III
1984 Laure
1985 Dehors
1988 Mansfield K.
1990 Les heures
1991 Été
1993 Kleist
1994 Un vent leger dans le feuillage
1995 Chants
1998 Passages
2000 Hôtel Turkoman
2003 Mer
2007 Istanbul
2008 À l'instant
2014 Chemins
2014 Crépuscule aux Aresquiers
2015 Anatolia
2015 Vangölü ekspresi
2017 Rue Pouchkine
2019 Ombres
2020 Aurore Collective
2022 Train
2023 Le Phare
???? Samarcande
Editor:
1977 Carolyn danse
1977 Encéphale
1977 Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
1978 Le petite réverbère
1979 In/ex Dérive
1980 Carolyn II
1981 Carolyn III
1984 Laure
1985 Dehors
1988 Mansfield K.
1990 Les heures
1991 Été
1993 Kleist
1994 Un vent leger dans le feuillage
1995 Chants
1998 Passages
2000 Hôtel Turkoman
2003 Mer
2007 Istanbul
2008 À l'instant
2014 Chemins
2014 Crépuscule aux Aresquiers
2015 Anatolia
2015 Vangölü ekspresi
2017 Rue Pouchkine
2019 Ombres
2020 Aurore Collective
2022 Train
2023 Le Phare
???? Samarcande
Sound:
1977 Carolyn danse
1977 Encéphale
1977 Urgent ou à quoi bon exécuter des projets puisque le projet est en lui-même une jouissance suffisante
1978 Le petite réverbère
1979 In/ex Dérive
1980 Carolyn II
1981 Carolyn III
1984 Laure
1985 Dehors
1988 Mansfield K.
1990 Les heures
1991 Été
1992 Broken Blossoms
1993 Kleist
1994 New York Long Distance
1994 Un vent leger dans le feuillage
1995 Chants
1998 Passages
2000 Hôtel Turkoman
2003 Mer
2007 Istanbul
2008 À l'instant
2014 Chemins
2014 Crépuscule aux Aresquiers
2015 Anatolia
2015 Vangölü ekspresi
2017 Rue Pouchkine
2019 Ombres
2020 Aurore Collective
2022 Train
2023 Le Phare
???? Samarcande
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.