Tyler Rabinowitz (b. 1993)

Birthplace:
Coral Springs, Florida, U.S.

Born:
April 28, 1993

TYLER RABINOWITZ is an LA-based writer-director-producer, and a graduate of NYU Tisch School of the Arts.  As a writer-director, Tyler's credits include SEE YOU SOON (NewFest '20 - Special Jury Mention for Acting, Palm Springs International ShortFest '20 - Audience Pick, Outfest '20, BFI Flare '20, Short of the Week, Vimeo Staff Pick) and HOW I GOT TO THE MOON BY SUBWAY (Vimeo Staff Pick, Outfest 2019, Palm Springs International ShortFest 2019). His short film ALIENTOLOGISTS was acquired by Gunpowder and Sky's sci-fi streaming platform DUST and received the National Board of Review's 2018 Marion Carter Green Award. His feature screenplay DESIRE was recognized as Best Dramatic Feature at the 2019 Nashville Film Festival's Screenplay Competition, a 2019 Screencraft Screenwriting Fellowship Finalist, and a 2019 Bluecat Screenplay Competition Semi-Finalist.  As a producer, Tyler's credits include LAVENDER (Sundance '19, SXSW '19, Vimeo Staff Pick Premiere), which was acquired by Searchlight Pictures, as well as THE MESS HE MADE (SXSW 2017, Short of the Week), and the music video for the platinum hit song LIGHTS DOWN LOW by MAX ft. gnash.  Tyler is an alumnus of Tribeca Film Institute's All Access grantee program, the Sundance Creative Producing Summit, Sundance Ignite Fellowship, Sundance Artist Talent Forum, the Inside Out LGBTQ+ Film Finance Forum, and the Jacob Burns Film Center's Creative Culture Fellowship. In 2011, he was honored by President Barack Obama and Secretary of Education Arne Duncan as a U.S. Presidential Scholar in the Arts.

Additional information:

The Search Form


Art Direction:
2013  The Swing of Things

Costumer:
2013  The Swing of Things

Director:
2013  The Swing of Things
2017  Alientologists
2018  How I Got to the Moon by Subway
2020  See You Soon
2022  Catalina

Director of Photography:
2013  The Swing of Things
2017  Alientologists
2018  How I Got to the Moon by Subway
2020  See You Soon
2022  Catalina

Editor:
2013  The Swing of Things
2017  Alientologists
2018  How I Got to the Moon by Subway
2020  See You Soon
2022  Catalina

Executive Producer:
2013  The Swing of Things
2017  Alientologists
2018  How I Got to the Moon by Subway
2020  See You Soon
2022  Catalina

Producer:
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Production Design:
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Property Master:
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Set Decoration:
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Sound:
2012  I Feel Love
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Sound Editor:
2012  I Feel Love
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Story:
2012  I Feel Love
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

Writer:
2012  I Feel Love
2013  The Swing of Things
2017  Alientologists
2017  The Mess He Made
2018  How I Got to the Moon by Subway
2019  Lavender
2020  See You Soon
2022  Catalina

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.