A work in constant progress (and occasional regress).
Birthplace:
Coral Springs, Florida, U.S.
Born:
April 28, 1993
TYLER RABINOWITZ is an LA-based writer-director-producer, and a graduate of NYU Tisch School of the Arts. As a writer-director, Tyler's credits include SEE YOU SOON (NewFest '20 - Special Jury Mention for Acting, Palm Springs International ShortFest '20 - Audience Pick, Outfest '20, BFI Flare '20, Short of the Week, Vimeo Staff Pick) and HOW I GOT TO THE MOON BY SUBWAY (Vimeo Staff Pick, Outfest 2019, Palm Springs International ShortFest 2019). His short film ALIENTOLOGISTS was acquired by Gunpowder and Sky's sci-fi streaming platform DUST and received the National Board of Review's 2018 Marion Carter Green Award. His feature screenplay DESIRE was recognized as Best Dramatic Feature at the 2019 Nashville Film Festival's Screenplay Competition, a 2019 Screencraft Screenwriting Fellowship Finalist, and a 2019 Bluecat Screenplay Competition Semi-Finalist. As a producer, Tyler's credits include LAVENDER (Sundance '19, SXSW '19, Vimeo Staff Pick Premiere), which was acquired by Searchlight Pictures, as well as THE MESS HE MADE (SXSW 2017, Short of the Week), and the music video for the platinum hit song LIGHTS DOWN LOW by MAX ft. gnash. Tyler is an alumnus of Tribeca Film Institute's All Access grantee program, the Sundance Creative Producing Summit, Sundance Ignite Fellowship, Sundance Artist Talent Forum, the Inside Out LGBTQ+ Film Finance Forum, and the Jacob Burns Film Center's Creative Culture Fellowship. In 2011, he was honored by President Barack Obama and Secretary of Education Arne Duncan as a U.S. Presidential Scholar in the Arts.
Art Direction:
2013 The Swing of Things
Costumer:
2013 The Swing of Things
Director:
2013 The Swing of Things
2017 Alientologists
2018 How I Got to the Moon by Subway
2020 See You Soon
2022 Catalina
Director of Photography:
2013 The Swing of Things
2017 Alientologists
2018 How I Got to the Moon by Subway
2020 See You Soon
2022 Catalina
Editor:
2013 The Swing of Things
2017 Alientologists
2018 How I Got to the Moon by Subway
2020 See You Soon
2022 Catalina
Executive Producer:
2013 The Swing of Things
2017 Alientologists
2018 How I Got to the Moon by Subway
2020 See You Soon
2022 Catalina
Producer:
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Production Design:
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Property Master:
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Set Decoration:
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Sound:
2012 I Feel Love
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Sound Editor:
2012 I Feel Love
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Story:
2012 I Feel Love
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Writer:
2012 I Feel Love
2013 The Swing of Things
2017 Alientologists
2017 The Mess He Made
2018 How I Got to the Moon by Subway
2019 Lavender
2020 See You Soon
2022 Catalina
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.