Mario Cimini

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Assistant Camera:
1960  Messalina
1962  Caesar The Conqueror
1965  Run for Your Wife

Camera Operator:
1960  Messalina
1962  Caesar The Conqueror
1964  Hercules Against the Sons of the Sun
1964  Per una valigia piena di donne
1965  Run for Your Wife
1966  Ringo, the Mark of Vengeance
1966  The Wedding March
1967  Io non protesto, io amo
1967  More Than a Miracle
1968  Listen, Let's Make Love
1969  The Damned
1969  Unknown Woman
1970  Many Wars Ago
1971  The Automobile
1971  The Story of Romance and Knife
1972  The Mattei Affair
1973  Lucky Luciano
1974  Conversation Piece
1975  Midnight Pleasures
1976  Illustrious Corpses
1976  The Innocent
1977  Here We for Example...
1977  Nenè
1979  Christ Stopped at Eboli
1980  The Terrace
1981  Three Brothers
1985  The Repenter
1987  Blue Tango
1987  Ternosecco
1987  Us Real Men, We Hard Men

First Assistant Camera:
1960  Messalina
1962  Caesar The Conqueror
1964  Hercules Against the Sons of the Sun
1964  Per una valigia piena di donne
1965  Run for Your Wife
1966  Ringo, the Mark of Vengeance
1966  The Wedding March
1967  Io non protesto, io amo
1967  More Than a Miracle
1968  Listen, Let's Make Love
1969  The Damned
1969  Unknown Woman
1970  Many Wars Ago
1971  Death in Venice
1971  The Automobile
1971  The Story of Romance and Knife
1972  The Mattei Affair
1973  Lucky Luciano
1974  Conversation Piece
1975  Midnight Pleasures
1976  Illustrious Corpses
1976  The Innocent
1977  Here We for Example...
1977  Nenè
1979  Christ Stopped at Eboli
1980  The Terrace
1981  Three Brothers
1985  The Repenter
1987  Blue Tango
1987  Ternosecco
1987  Us Real Men, We Hard Men

Camera Operator:
1982  Marco Polo

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.