A work in constant progress (and occasional regress).
Alias:
Inger-Elise Holm
ADR Editor:
2022 Three Robbers and a Lion
Boom Operator:
2014 One Night in Oslo
2022 Three Robbers and a Lion
Dialogue Editor:
2014 One Night in Oslo
2018 Blind Spot
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
Sound:
2014 One Night in Oslo
2018 Blind Spot
2020 Life Goes On
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
???? Lykkejegerne
Sound Designer:
2014 One Night in Oslo
2015 Polaroid
2017 Sweet Things
2018 Blind Spot
2020 Life Goes On
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
2024 My Wonderful Stranger
???? Lykkejegerne
Sound Editor:
2014 One Night in Oslo
2015 Polaroid
2017 Sweet Things
2018 Blind Spot
2020 Life Goes On
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
2024 My Wonderful Stranger
???? Lykkejegerne
Sound Mixer:
2014 One Night in Oslo
2015 Polaroid
2016 Intruders
2017 Sweet Things
2018 Blind Spot
2020 Life Goes On
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
2024 My Wonderful Stranger
???? Lykkejegerne
Sound Recordist:
2014 One Night in Oslo
2015 Polaroid
2016 Intruders
2017 Sweet Things
2018 Blind Spot
2020 Life Goes On
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
2024 My Wonderful Stranger
???? Lykkejegerne
Supervising Sound Editor:
2014 One Night in Oslo
2015 Polaroid
2016 Cave
2016 Intruders
2017 Sweet Things
2018 Blind Spot
2020 Life Goes On
2022 The Outlaws
2022 Three Robbers and a Lion
2023 Royalteen: Princess Margrethe
2024 My Wonderful Stranger
???? Lykkejegerne
Sound Designer:
2023 The Architect
Sound Re-Recording Mixer:
2023 The Architect
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.